Monday, November 15, 2021

Model Activity Task || Part 8 || ENGLISH ||Class – VI || Minhajuddin Mondal

Combined Activity Task / Model Activity Task Part 8

ENGLISH

Class – Vi

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 Minhajuddin Mondal
📱+917797243129
Ideal English Institute
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SECTION A : READING COMPREHENSION 

1. Read the passage carefully and answer the questions that follow : 

He caught hold of a little net and dipped it into the water. He brought the little doll out. But she slipped out and fell on to the table banging her head. 

She began to cry. Up came a policeman doll and said fiercely, “What are you doing, catching the doll and making her bump her head like that?” 

“I was saving her from drowning!” said Tuffy. 

A. Tick the correct answer in the given boxes : 1 × 3 = 3 

(i) Tuffy saved the doll with a 

(a) stick (b) net (c) rope 

Ans : (b) net

(ii) The girl fell on the 

(a) floor (b) chair (c) table 

Ans : (c) table 

(iii) The policeman doll came when the girl 

(a) cried (b) fell (c) screamed

Ans : (a) cried

B. Fill in the chart with information from the given passage : 2 × 3 = 6 

CauseEffect
(i) Tuffy dipped the net into the water.
(ii) The little doll fell on to the table.
(iii) The policeman doll talked fiercely. 

Ans : 

CauseEffect
(i) He wanted to save the little doll from drowning.Tuffy dipped the net into the water.
(ii) The little doll fell on to the table.Her head banged to the table and she began to cry.
(iii) Tuffy caught the little doll in a net and fell on to the table banging her head.The policeman doll talked fiercely. 


2. Read the following passage and answer the questions given below : 

Once upon a time there lived a boy, named Tatai. His father, Mr. Chowdhury, worked at the nearby coal-mine. Everyday Tatai used to watch the roadside jewellery shop hardly three yards away from his scratched window pane. It displayed a sparkling diamond necklace in a glass box. One day, a rich old lady stepped out of a cab, bought the beautiful necklace and left the glass box blank. The shopkeeper put some cheap crystal jewellery to fill in the emptiness of the box. 

A. Fill in the table with information from the passage : 1 × 3 = 3 

WhoDid what
(i) Tatai 
(ii) The rich old lady 
(iii) The shopkeeper 

Ans : 

WhoDid what
(i) Tatai used to watch the roadside jewellery shop
(ii) The rich old lady stepped out of a cab, bought the beautiful necklace
(iii) The shopkeeper put some cheap crystal jewellery to fill in the emptiness of the box. 

B. Answer the following questions : 2 × 2 = 4 

(i) What was the occupation of Tatai’s father? 

Ans : Tatai’s father worked at the nearby coal-mine.

(ii) How far was the jewellery shop from his house? 

Ans : The jewellery shop was hardly three yards away from Tatai’s house.


SECTION B : GRAMMAR AND VOCABULARY 

3. Fill in the blanks with verbs in agreement with the subject : 1 × 3 = 3 

(a) Pepperoni and cheese __________ great on a pizza. 

Ans : Pepperoni and cheese is great on a pizza. 

(b) Neither she nor I __________ going to school. 

Ans : Neither she nor I am going to school. 

(c) The Director and Producer of the film __________ giving an interview. 

Ans : The Director and Producer of the film is giving an interview. 

4. Identify the Imperative, Exclamatory, Optative and Interrogative sentences : 1 × 5 =5 

(a) Hurray! We have won the match. 

Ans : Exclamatory sentence

(b) What is your name? 

Ans : Interrogative sentence

(c) Neeraj Chopra won the gold medal in the Tokyo Olympics. 

Ans : Assertive sentence

(d) Open the door. 

Ans : Imperative sentence

(e) May God bless you. 

Ans : Optative sentence


5. Classify the underlined words of the given sentences in the correct columns : 1 × 6 = 6 

(i) Sugar is sweet. 

(ii) This is my book. 

(iii) You should carry an umbrella while going out. 

(iv) My mother has long hair. 

(v) Give me a glass of water. 

Ans : 

Countable noun Uncountable noun 
(i) Book(a) Sugar
(ii) Umbrella(b) Hair
(iii) Glass(c) Water

6. Add Prefixes to the words given below and make opposites : 1 × 5 = 5 

respect, comfortable, fortune, mature, literate 

Ans : 

respect => disrespect 

comfortable => uncomfortable

fortune => misfortune

mature => immature

literate => illiterate

7. Make sentences with the following words : 1 × 3 = 3 

despair, sturdy, drowning

Ans : 

despair – He gave up the struggle in despair.

sturdy – Ramesh is a sturdy boy.

drowning – I was saving her from drowning.


SECTION C : WRITING 

8. Suppose you had been to Murshidabad with your parents. Write a paragraph (in about 60 words) about your experience in the historical place. You may use the following hints : 6 

Hints : how you went there — mode of transport — historical sites you visited — description of what you saw — your feelings 

Ans : 

My visit to a historical place

Last December I went to Murshidabad with my parents. Father hired a taxi for that journey. Reaching Murshidabad we hired a cab-horse and visited some historical places, like, Jafar Ganze palace, Katra mosque, Motijhil palace,Khusbag. Hazarduari was a treat to the eyes, it is an art gallery and a museum. Here we saw the sword of Siraj, many royal articles and old paintings. I was simply thrilled. While returning the sweet and sad memories of Murshidabad began to flash upon my inward eye.


9. Develop a story (in about 60 words) using the following outlines. Add a suitable to your story : 6 

Outline : dog with piece of meat in mouth — crosses a river bridge — sees his shadow — thinks another dog, barks — meat falls into the river

Ans : 

The Dog and The Shadow

One day a dog got a piece of meat. He was crossing a bridge with the meat in his mouth. He saw his own shadow in the water below. He took this for another dog with another piece of meat in his mouth. He became greedy to get it. He opened his mouth to bark. His own piece of meat fell into the water. The dog lost his meat. He was sorry for his foolishness.


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 Minhajuddin Mondal
📱+917797243129
Ideal English Institute
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Wednesday, November 10, 2021

Descriptive Questions Answers from Daybreak || Minhajuddin Mondal

Descriptive Questions Answers from Daybreak. Very descriptive or broad questions for Class XI Final Examination. Important notes for the Annual Examination of Class XI, WBCHSE. Prepare these questions and score an attractive result in your final examination. I have prepared the answers to these questions according to the latest pattern and guidelines prescribed by the West Bengal Council of Higher Secondary Education. I think my endeavour will be fruitful for the students to achieve your target. On my website, you will get prose, poem, Rapid Reader of Class XI, Text Discussion, text related grammar, paragraph writing, story writing, ESP i.e. newspaper advertisement commercial leaflet everything.



Title of the poem “Daybreak

In this poem the poet glorifies dawn. The wind is personified and serves as the spokesman of the poet. The essence of the poem has properly been hinted at by the title. When the night is over and the golden resplendence of the morning sun brightens up the world’s every creature and inanimate object seems to become happy and full of bursting energy. The wind here enlivens the world with aspirations and hope. Here allegorically ‘Daybreak’ means the awakening of the soul that has so long been confined in the cage of aberration, frustration, and apathetic attitude. When this happens frustrations of all sort, gloom, despondency are replaced by throbbing joy and vigorous activity, which are the symptoms of life. Only those who remain submerged in sombreness suffer in the dungeon of ‘night’ that is the synonym of death.




Critical Assessment as a Poet.

As a poet Longfellow faced no equal in his time. Readers of all ages and tastes loved his poems. Its main reasons were that his poems were simple, pure and serene. To attain perfection he worked very hard and the subjects of his poems were varied. His poems may be principally divided into two sections-court poems and poems for the mass. His mastery over the second was firm and assured. Even children loved to read his poems for sweet rhyme and simplicity. Furthermore, his poetry is full of ethical values and is highly optimistic in outlook.



Describe the activities of the wind in the poem “Daybreak”.

With the arrival of daybreak, the sea-wind feels an urge to carry the message to the sleeping world. It first hails the sleepy ships. It calls the mariners and tells them to sail on. It swiftly blows over far-off lands. It enters the forests and meets the trees. It tells them to shout and hang all their leafy banners out. It meets the wood-bird and encourages it to rise and sing. Then the wind blows over the farms. The house-cock is still ignorant of the coming morn. The wind tells it to blow its pipe and awakens others. Next, it reaches the cornfield. It tells it to bow down and salute the bright day. It passes through the church tower and invokes the church-bells to ring loudly to announce the day. Beside the church, there is a graveyard. The dead souls are inside the tomb. The wind feels pity for them. It tells them to enjoy eternal rest and sleep. Thus the wind motivates all to welcome the daybreak.




Question: “O mists, make room for me.” – Who is the speaker here? What does the speaker want to imply here?

Ans: Here in the above-quoted line, wind is the speaker in the poem “Daybreak“.

In the beautiful poem “Daybreak”, Henry Wadsworth Longfellow has wonderfully expressed the possibilities of the wind which sprang from the sea and explored the possibility of a new world that is free from all sorts of mundane trifles. The wind, the speaker here, has been personified and it declares its arrival with bold steps. With the disappearance of the night, the new dawn declares its presence and entry into this beloved world.




It crossed the church with a sigh.” – Who crossed the churchyard? Why did it sigh? What did it say while crossing and why?

Ans: In the poem “Daybreak” by Henry Wadsworth Longfellow, the wind crossed the churchyard.

The wind sighed to express its deep sorrow for the dead ones who were lying under the ground of the churchyard.

When the whole world got ready to be awakened to a new day, the dead souls were lying inactively in the churchyard burial ground. When the Wind wakes up everyone from their slumber, it asks the dead ones to sleep silently as it is not the particular morning of the Judgement Day when all the dead have to rise. That is why with a sigh the wind tells them to continue sleeping and not to get up. In this line, there is a Biblical allusion to Judgement Day.




“A wind came up out of the sea” – When did the wind come up out of the sea? Describe the sea at that time. What did the wind do next?

Ans: In the poem daybreak by Henry Wadsworth Longfellow The Wind came off out of the safe at daybreak.

At that very time, the sea took rest in sweet slumber. The sea was completely covered with mists. The ships were moveless and still. None but the wind rose from sleep. Actually, the sea was very calm and quiet.

With the disappearance of the mists, the wind discovered the new day. The wind started to give the good news to all. It greeted the ships and encouraged the mariners to start a sea voyage. Then it hurried quickly landward to give the message of the coming dawn to all.



Important ShortđŸ”ĨQuestions and Answers from Daybreak || class-XI || WBCHSE


DAYBREAK
        Henry Wadsworth Longfellow



Q.1: Who wrote the poem, ‘Daybreak’?

Ans: Henry Wadsworth Longfellow wrote the poem ‘Daybreak’.


Q.2: Why does the wind tell everyone to awake?

Ans: The wind tells everyone to awake because the darkness of the night is gone and the new day is appear.


Q.3:  What is a belfry tower?

Ans:  Belfry-tower is the high room on the church where is kept the church-clock.


Q.4:  Whom does the wind find in the farms?

Ans:  The wind finds the chanticleer sleeping in the farms.


Q.5:  How does the wind move to the land?

Ans:   The wind rushes to the land, announcing the beginning of the day.


Q.6:  What is meant by the phrase “leafy banners”?

Ans: The phrase “leafy banners” means the twigs and branches of the trees full of leaves.




Q.7:   What does the word ‘chanticleer’ suggest?

Ans:   A chanticleer is a domestic cock that crows loudly at dawn.


Q.8:   What did the wind whisper to the fields of corn?

Ans:  The wind whispered to the fields of corn to greet the approaching morning by bowing down.


Q.9:   How does the wind cross the churchyard?

Ans:   The wind crosses the churchyard with a deep sigh.


Q.10:  What does the wind tell the dead souls?

Ans: The wind tells the dead souls to lie quietly and enjoy eternal sleep.


Q.11: Name the birds mentioned in the poem ‘Daybreak’.

Ans: The wood-bird and the chanticleer are mentioned in the poem ‘Daybreak’.


Q.12:   Where did the sea wind go after awaking the Mariners?

Ans:  After awaking the Mariners the wind rushed towards the distant land.




Q.13:  Why does the wind hurry landward?

Ans:  The wind hurried landward to wake up everything in Nature.


Q.14: “Not yet !” – To whom does the wind say this?

Ans: The wind says this to the dead buried in the churchyard.


Q.15:  Whom did the wind ask to proclaim the hour ?

Ans:  The wind asked the church-bell to proclaim the hour.


Q.16:  Where does the wind finally go?

Ans: The wind finally goes to blow over the churchyard.


Q.17:  What does the ‘Daybreak’ imply?

Ans: The word ‘Daybreak’ implies dawn but symbolically it means light and lustre at the end of the darkness.


Q.18:  Whom does the wind ask to tell time?

Ans:  The wind asks the bell of the tower to tell time.





**Last few year questions of Annual Examination ( With Answers) from the poem ‘Daybreak’:-👇


Q.1: Where did the wind hurry to in ‘Daybreak’ ( XI - ’17)

Ans: The wind hurried towards the distant land.


Q.2:  Who announces daybreak in the poem ‘Daybreak’ ? ( XI - ’18, ’15)

Ans: In the poem ‘Daybreak’ the sea-wind announces daybreak.


Q.3:  What did the wind touch in the poem ‘Daybreak’ ( XI - ’15)

Ans:  In the poem ‘Daybreak’ the wind touched the wood-bird’s folded wing.


Q.4: What did the wind ask the wood-bird to do? ( XI - ’17)

Ans:  The wind asked the wood-bird to wake up and sing.


Q.5:   What did the wind urge the bell to do? ( XI - ’19)

Ans:  The wind urged the bell of the tower to ring to announce the advent of morning.


Q.6:   Why does the wind proclaim differently when it crosses the churchyard? ( XI - ’16)

Ans:   The wind proclaims differently when it crosses the churchyard because there the souls of dead are sleeping peacefully.




Q.7:   What does the phrase “Not yet! in quite lie” suggest? (XI - ’18)

Ans:  The phrase “Not yet! in quite lie” suggests it is not time for the dead soul in the churchyard as they will rise on Judgement Day.


Q.8: From where did the wind come in ‘Daybreak’ (XI - ’14)

Ans: The wind came up out of the sea in the poem ‘Daybreak’.


Q.9: What did the wind say when it crossed the churchyard ?( XI- ’14)

Ans: When the wind crossed the churchyard it told the dead souls to continue resting quietly in their graves.


Q.10:  What does the word ‘hail’ mean in the poem ‘Daybreak’ ? (XI- ’20)

Ans:  The word ‘hail’ means greet but symbolically it means the wind greets the ship to advise the sailors to sail on.


Q.11: What does the wind shout to the forest ? (XI - ’20)

Ans:  The wind shouts to the forest to hang all its leafy banners out.

Q.12:  What is the wind’s massage to the forest in ‘Daybreak’ ? (XI - ’16)

Ans: The wind asks the forest to display the beauty of its leaves in the light of the rising sun.



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'Daybreak' poem meaning in Bengali // By - Minhajuddin Mondal


Daybreak Bengali Meaning: “Daybreak” is one of the famous poems by H W Longfellow. As it is included in the new English syllabus of Class  11 of WBCHSE, I have translated Daybreak poem into Bengali. In this course of Bengali Translation of Daybreak poem, I have come up with some important 5 mark Question from this poem. My Bengali translation of   Daybreak poem is very easy to understand and it is in very simple colloquial Bengali language which will surely help the students to understand the Bengali meaning of Daybreak poem. 





Daybreak

Henry Wadsworth Longfellow


About the Poet :

Henry Wadsworth Longfellow (1807-1882) was an American writer from nineteenth century well known for lyric poem. A few of his famous work are Voices of the Night, Ballads and other poems, The Songs of Hiawatha.

āĻ•āĻŦি āϏāĻŽ্āĻĒāϰ্āĻ•ে :

āĻšেāύāϰি āĻ“āϝ়েāĻĄāϏāĻ“āϝ়াāϰ্āĻĨ āϞংāĻĢেāϞো (ā§§ā§Žā§Ļā§­-ā§§ā§Žā§Žā§¨) āϊāύāĻŦিংāĻļ āĻļāϤাāĻŦ্āĻĻীāϰ āĻāĻ• āφāĻŽেāϰিāĻ•াāύ āϞেāĻ–āĻ• āĻ›িāϞেāύ āϝিāύি āĻ—ীāϤি āĻ•āĻŦিāϤাāϰ āϜāύ্āϝ āϏুāĻĒāϰিāϚিāϤ। āϤাঁāϰ āĻ•āϝ়েāĻ•āϟি āĻŦিāĻ–্āϝাāϤ āϰāϚāύা āĻš'āϞ Voices of the Night, Ballads and other poems, The Songs of Hiawatha । 





About the Poem :

The poem is written in rhyming couplets, continuing for nine lines. Longfellow traces the journey of the wind as it passes over land and ocean, ushering in fresh lively activities with daybreak.

āĻ•āĻŦিāϤা āϏāĻŽ্āĻĒāϰ্āĻ•ে :

āĻ•āĻŦিāϤাāϟি āĻŽিāϤ্āϰাāĻ•্āώāϰāĻ•াāϰী āĻĻ্āĻŦিāĻĒāĻĻীāϤে āϞেāĻ–া āĻšāϝ়েāĻ›ে, āύāϝ়āϟি āϞাāχāύেāϰ āϜāύ্āϝ āϏ্āĻĨাāϝ়ী āĻšāĻ‡ā§ŸাāĻ›ে। āϞ্āϝাāύ্āĻĄāĻĢেāϞো āϏ্āĻĨāϞ āĻāĻŦং āϏāĻŽুāĻĻ্āϰেāϰ āωāĻĒāϰ āĻĻিāϝ়ে āϝাāĻ“āϝ়াāϰ āϏাāĻĨে āϏাāĻĨে āĻŦাāϤাāϏেāϰ āϝাāϤ্āϰাāϟিāϰ āϏāύ্āϧাāύ āĻ•āϰে, āϤাāϜা āĻĒ্āϰাāĻŖāĻŦāύ্āϤ āĻ•্āϰিāϝ়াāĻ•āϞাāĻĒেāϰ āϏূāϚāύা āĻš'āϞ āĻĻিāύāĻ­āĻ™্āĻ—- āĻāϰ(āĻ­োāϰ) āϏাāĻĨে āϏাāĻĨে।



SUMMARY :

Longfellow in his poem sounds the clarion call of the day. He describes the sights and sounds hailing the rousing of life at daybreak. The poet picks on the wind as the agent of herald, announcing the dawn. The wind cheers the mariners, stimulates the forest, enlivens the birds, rouses the chanticleer, animates the cornfields and invigorates the belfry tower to ring out loud. The wind does not want to disturb the repose of those sleeping in the graveyard, for it is not time for them to wake up yet.


āϏাāϰāϏংāĻ•্āώেāĻĒ :

āϞংāĻĢেāϞো āϤাঁāϰ āĻ•āĻŦিāϤাāϝ় āĻĻিāύেāϰ āĻļিāĻ™্āĻ—া āĻļোāύাāϚ্āĻ›েāύ। āϤিāύি āĻĻৃāĻļ্āϝāĻ—ুāϞিāϰ āĻ“ āĻļāĻŦ্āĻĻāĻ—ুāϞিāϰ āĻŦāϰ্āĻŖāύা āĻ•āϰেāĻ›েāύ āϝেāĻ—ুāϞি āĻĻিāύāϟিāϰ āĻļুāϰুāϰ āϏāĻŽāϝ় āϜীāĻŦāύেāϰ āωāϚ্āĻ›্āĻŦাāϏāĻ•ে āĻ…āĻ­্āϝāϰ্āĻĨāύা āĻ•āϰāĻ›ে। āĻ­োāϰেāϰ āϘোāώāĻŖাāϰ āĻ•āĻĨা āĻŦāϞে āĻ•āĻŦি āĻšেāϰাāϞ্āĻĄেāϰ āĻĒ্āϰāϤিāύিāϧি āĻšিāϏাāĻŦে āĻŦাāϤাāϏেāϰ āωāĻĒāϰে āωāĻ েāĻ›েāύ। āĻŦাāϤাāϏāϟি āύাāĻŦিāĻ•āĻĻেāϰ āĻ‰ā§ŽāϏাāĻšিāϤ āĻ•āϰে, āĻ…āϰāĻŖ্āϝāĻ•ে āωāĻĻ্āĻĻীāĻĒিāϤ āĻ•āϰে, āĻĒাāĻ–িāĻ—ুāϞিāĻ•ে āĻĒ্āϰাāĻŖāϚāĻž্āϚāϞ āĻ•āϰে āϤোāϞে, āĻŽোāϰāĻ— āĻ•ে āϘুāĻŽ āĻ­াāĻ™া⧟, āĻļāϏ্āϝāĻ•্āώেāϤ্āϰāĻ•ে āĻĒ্āϰাāĻŖāĻŦāύ্āϤ āĻ•āϰে āϤোāϞে āĻāĻŦং āĻŦেāϞāĻĢ্āϰি āϟাāĻ“āϝ়াāϰāĻ•ে āĻļāĻ•্āϤি āĻĒ্āϰāĻĻাāύ āĻ•āϰে āϜোāϰে āĻŦেāϜে āωāĻ াāϰ āϜāύ্āϝ। āĻ•āĻŦāϰāϏ্āĻĨাāύে āϘুāĻŽিāϝ়ে āĻĨাāĻ•া āĻŦ্āϝāĻ•্āϤিāĻĻেāϰ āĻŦিāĻļ্āϰাāĻŽে āĻŦাāϤাāϏ āĻŦিāϰāĻ•্āϤ āĻ•āϰāϤে āϚাāϝ় āύা, āĻ•াāϰāĻŖ āϤাāĻĻেāϰ āϜেāĻ—ে āĻ“āĻ াāϰ āϏāĻŽāϝ় āĻāĻ–āύāĻ“ āφāϏে āύি।





THE TEXT :


A wind came up out of the sea,

āϏāĻŽুāĻĻ্āϰ āĻĨেāĻ•ে āĻāĻ•āϟি āĻŦাāϤাāϏ āωāĻ ে āĻāϏেāĻ›িāϞ,


And said, O mists, make room for me.

āĻāĻŦং āĻŦāϞāϞ, āĻšে āĻ•ুāϝ়াāĻļা, āφāĻŽাāϰ āϜāύ্āϝ āϜাāϝ়āĻ—া āĻ•āϰে āĻĻাāĻ“।


It hailed the ships, and cried, Sail on,

āĻāϟি āϜাāĻšাāϜāĻ•ে āĻĄাāĻ• āĻĻিāϞ, āĻāĻŦং āϚিā§ŽāĻ•াāϰ āĻ•āϰে 

āĻŦāϞāϞ, āϝাāϤ্āϰা āĻļুāϰু āĻ•āϰ,


Ye mariners, the night is gone.

āϤোāĻŽāϰা āύাāĻŦিāĻ•āϰা, āϰাāϤ āĻ•েāϟে āĻ—েāϞ।


And hurried landward far away,

āĻāĻŦং āϤাāĻĄ়াāϤাāĻĄ়ি āĻĻূāϰে āϏ্āĻĨāϞāĻ­াāĻ—েāϰ āĻĻিāĻ•ে āϝাāϤ্āϰা āĻ•āϰāϞ,


Crying, Awake! it is the day.

āϚিā§ŽāĻ•াāϰ āĻ•āϰে āĻŦāϞāϞ, āϜাāĻ—ো! āĻāϟা āĻĻিāύ।


It said unto the forest, Shout!

āĻāϟি āĻŦāύেāϰ āĻĒ্āϰāϤি āĻŦāϞāϞ, āϚিā§ŽāĻ•াāϰ āĻ•āϰে!


Hang all your leafy banners out!

āϤোāĻŽাāϰ āϏāĻŽāϏ্āϤ āĻĒāϤ্āϰāĻŽā§Ÿ āϧ্āĻŦāϜা āĻŽেāϞে āϧāϰ!


It touched the wood-bird's folded wing,

āĻāϟি āĻ•াāĻ -āĻĒাāĻ–িāϰ āĻ­াঁāϜ āĻ•āϰা āĻĄাāύা āϏ্āĻĒāϰ্āĻļ āĻ•āϰেāĻ›িāϞ,


And said, O bird, awake and sing.

āĻāĻŦং āĻŦāϞāϞ, āĻšে āĻĒাāĻ–ি, āϜাāĻ—ো āĻāĻŦং āĻ—াāύ āĻ•āϰ।


And o'er the farms, O chanticleer, (o’er = over)

āĻāĻŦং āĻ–াāĻŽাāϰāĻ—ুāϞিāĻ•ে āĻ›াāĻĄ়িāϝ়ে āĻ—েāϞ, āĻšে āĻĒোāώা āĻŽোāϰāĻ—


Your clarion blow; the day is near.

āφāĻĒāύাāϰ āĻļিāĻ™্āĻ—া āϟিāϤে āĻĢুঁ āĻĻাāĻ“; āĻĻিāύāϟি āĻ•াāĻ›ে āĻāϏে āĻ—েāĻ›ে।


It whispered to the fields of corn,

āĻāϟি āĻļāϏ্āϝ āĻ•্āώেāϤāĻ—ুāϞিāϤে āĻĢিāϏāĻĢিāϏ āĻ•āϰে āĻŦāϞāϞ,


Bow down, and hail the coming morn.

āĻŽাāĻĨা āύāϤ āĻ•āϰ āĻāĻŦং āφāĻ—āϤ āϏāĻ•াāϞāĻ•ে āĻ…āĻ­্āϝāϰ্āĻĨāύা āϜাāύাāĻ“। 

 

It shouted through the belfry-tower,

āĻāϟি āϚিā§ŽāĻ•াāϰ āĻ•āϰেāĻ›িāϞ āĻŦেāϞেāĻĢ্āϰাāχ-āϟাāĻ“āϝ়াāϰ āĻāϰ āĻŽāϧ্āϝে āĻĻিāϝ়ে,


Awake, O bell! proclaim the hour.

āϜাāĻ—ো, āĻšে āϘāĻŖ্āϟা! āϏāĻŽā§Ÿ āĻāϰ āϘোāώāĻŖা āĻ•āϰ।


It crossed the churchyard with a sigh,

āĻāϟি āĻĻীāϰ্āϘāĻļ্āĻŦাāϏ āĻĢেāϞে āĻ—িāϰ্āϜাāϰ āϏāĻŽাāϧিāĻ•্āώেāϤ্āϰ āĻĒেāϰিāϝ়ে āĻ—েāϞ,


And said, Not yet! in quiet lie.

āĻāĻŦং āĻŦāϞāϞ, āĻāĻ–āύāĻ“ āύা! āĻļাāύ্āϤিāϤে āĻļু⧟ে āĻĨাāĻ•।





āĻĒ্āϰāϤিāϟি āĻļāĻŦ্āĻĻেāϰ āĻŦাংāϞা āĻŽাāύে :

Line 1: A (āĻāĻ•āϟি) wind (āĻŦাāϤাāϏ) came up (āωāĻ ে āĻāϞ āĻŦা āϜেāĻ—ে āωāĻ āϞো) out of āĻĨেāĻ•ে) the sea (āϏāĻŽুāĻĻ্āϰ),

Line 2: And (āĻāĻŦং) said (āĻŦāϞāϞ), O (āĻ“) mists (āĻ•ু⧟াāĻļা), make room (āĻĒāĻĨ āĻ•āϰে āĻĻাāĻ“) for me (āφāĻŽাāϰ āϜāύ্āϝ).

Line 3: It (āĻāϟা) hailed (āϏ্āĻŦাāĻ—āϤ āϜাāύাāϞ) the ships (āϜাāĻšাāϜāĻ—ুāϞিāĻ•ে), and (āĻāĻŦং) cried (āϚিā§ŽāĻ•াāϰ āĻ•āϰে āĻŦāϞāϞ), Sail on (āĻĒা⧜ি āĻĻাāĻ“ āĻŦা āϜাāĻšাāϜেāϰ āĻĒাāϞ āϤুāϞে āĻĻাāĻ“),

Line 4: Ye (āϤোāĻŽāϰা) mariners (āύাāĻŦিāĻ•েāϰা), the night (āϰাāϤ্āϰি) is gone (āϚāϞে āĻ—েāĻ›ে).

Line 5: And (āĻāĻŦং) hurried (āĻ›ুāϟে āĻ—েāϞ) landward (āϏ্āĻĨāϞāĻ­াāĻ—েāϰ āĻĻিāĻ•ে) far away (āĻ…āύেāĻ• āĻĻূāϰে),

Line 6: Crying (āϚিā§ŽāĻ•াāϰ āĻ•āϰāϤে āĻ•āϰāϤে), Awake (āϜেāĻ—ে āĻ“āĻ ো)! it (āĻāϟা) is (āĻšā§Ÿ) the day (āĻĻিāύ).

Line 7: It (āĻāϟা) said (āĻŦāϞāϞ) unto the forest (āϜāĻ™্āĻ—āϞāĻ•ে), Shout (āϚিā§ŽāĻ•াāϰ āĻ•āϰো)!

Line 8: Hang out (āĻŽেāϞে āϧāϰো) all (āϏāĻŦ) your (āϤোāĻŽাāϰ) leafy (āĻĒāϤ্āϰāĻĒূāϰ্āĻŖ) banners (āĻĒāϤাāĻ•া)!

Line 9: It (āĻāϟা) touched (āϏ্āĻĒāϰ্āĻļ āĻ•āϰāϞ) the wood-bird’s (āĻŦāύেāϰ āĻĒাāĻ–িāϰ) folded (āĻ—ুāϟাāύো āĻŦা āĻ­াঁāϜ āĻ•āϰা) wing (āĻĄাāύা),

Line 10: And (āĻāĻŦং) said (āĻŦāϞāϞ), O (āĻ“) bird (āĻĒাāĻ–ি), awake (āϜেāĻ—ে āĻ“āĻ ো) and (āĻāĻŦং) sing (āĻ—াāύ āĻ—াāĻ“).

Line 11: And (āĻāĻŦং) o’er (āĻ“āĻĒāϰে) the farms (āĻ–াāĻŽাāϰāĻŦা⧜িāϰ), O (āĻ“) chanticleer (āĻŽোāϰāĻ—),

Line 12: Your (āϤোāĻŽাāϰ) clarion (āĻĻাāĻŽাāĻŽা, āĻāĻ–াāύে āĻŽোāϰāĻ—েāϰ āĻĄাāĻ•েāϰ āĻ•āĻĨা āĻŦāϞা āĻšā§ŸেāĻ›ে) blow (āĻŦাāϜাāĻ“); the day (āĻĻিāύ) is near (āĻ•াāĻ›ে āĻāϏে āĻ—েāĻ›ে).

Line 13: It (āĻāϟা) whispered (āĻĢিāϏ āĻĢিāϏ āĻ•āϰে āĻŦāϞāϞ) to the fields of corn (āĻļāϏ্āϝেāϰ āĻ–েāϤāĻ•ে),

Line 14: Bow down (āĻŽাāĻĨা āύিāϚু āĻ•āϰো), and (āĻāĻŦং) hail (āϏ্āĻŦাāĻ—āϤ āϜাāύাāĻ“) the coming (āφāϏāύ্āύ) morn (āϏāĻ•াāϞāĻ•ে).

Line 15: It (āĻāϟা) shouted (āϚিā§ŽāĻ•াāϰ āĻ•āϰে āĻŦāϞāϞ) through (āĻŽāϧ্āϝ āĻĻি⧟ে) the belfry-tower (āĻ—িāϰ্āϜাāϰ āϚূ⧜াāϰ āϘāϰে āĻĨাāĻ•া āϘāύ্āϟাāĻ•ে),

Line 16: Awake (āϜেāĻ—ে āĻ“āĻ ো), O (āĻ“) bell (āϘāύ্āϟা)! proclaim (āϘোāώāĻŖা āĻ•āϰো) the hour (āϏāĻŽā§Ÿ).

Line 17: It (āĻāϟা) crossed (āĻĒেāϰি⧟ে āĻ—েāϞ) the churchyard (āĻ—িāϰ্āϜা āϏংāϞāĻ—্āύ āĻ•āĻŦāϰāϏ্āĻĨাāύ) with a sigh (āĻĻীāϰ্āϘāĻļ্āĻŦাāϏ āĻĢেāϞে),

Line 18: And (āĻāĻŦং) said (āĻŦāϞāϞ), Not yet (āĻāĻ–āύāχ āύ⧟)! in quiet (āĻļাāύ্āϤ āĻšā§Ÿে) lie (āĻļু⧟ে āĻĨাāĻ•ো).





Important Words : 

landward : in the direction of land (āϜāĻŽিāϰ āĻĻিāĻ•ে)

o'er : short form of over (poetical use) ‘over’ -āĻāϰ āϏংāĻ•্āώিāĻĒ্āϤ āϰূāĻĒ (āĻ•াāĻŦ্āϝিāĻ• āĻŦ্āϝāĻŦāĻšাāϰ)

chanticleer : rooster (āĻŽোāϰāĻ—)

belfry tower : The tower that contains the church bell (āϟাāĻ“āϝ়াāϰāϟি āϝেāϟিāϤে āϚাāϰ্āϚেāϰ āϘāĻŖ্āϟা āϰāϝ়েāĻ›ে)

Monday, November 8, 2021

Model Activity Task - Part 7 // Class - VI //Minhajuddin Mondal



----------------------------------------
 Minhajuddin Mondal
📱+917797243129
Ideal English Institute
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ENGLISH 


1. Read the following passage and answer the questions that follow:

  Feeling restless, I left the viewing room and glided down the long passage to the centre of the space station. I could see my father there surrounded by reporters. I came back to the view-room which was empty. I looked out into space. My Moon my home appeared very small now. At home, kids would be getting ready for the party. There's always been a party at sunrise. The Sun rose only 12 or 13 times a year so it was something special for us. The sunlight crept slowly across the surface of the Moon until finally night was gone.


 A. Complete the following sentences with information from the passage: 1x3=3

(i) The narrator left the viewing-room because _____

Ans:  he was feeling restless.

(ii) He could not talk to his father as ______

Ans: his father was surrounded by reporters.


 
(iii) Sunlight crept on the Moon's surface until ________ 

Ans: finally night was gone.

 B. Answer the following questions: 2x3=6

(1) How did the Moon appear to the narrator?

Ans: The moon appeared very small to the narrator.
or
 When the narrator looked out into the space the moon appeared very small to him.

(ii) When would there be a party in Moon?

Ans: There's always been a party at sunrise in Moon.

(iii) Why was the sunrise special for the residents of Moon?

Ans: The sun rose only 12 or 13 times a year, so the sunrise was special for the residents of Moon.

 2. Do as directed:  1x5=5

(1) Will you please shut the door? (Replace the underlined word with its antonym)

Ans: open


 
(ii) We shall go out for vacation soon. (Identify the type of Adverb used in the sentence)

Ans: adverb of time.

(iii) The earnings for this quarter _______ (exceed/exceeds) expectations. (Choose the correct option)

Ans: exceed

(iv) Our guest is _______  European. (Fill in the blanks with an indefinite article)

Ans: a

(v) May God bless you. (Identify the type of sentence)

Ans: Optative Sentence.

3. Develop a story (in about 60 words) using the following outline. Add a suitable title to your story:  6

Outline: dog with piece of meat in mouth-crosses a river bridge- sees his shadow-thinks another dog, barks-meat falls into the river

Ans:
 THE DOG AND THE SHADOW

One day a dog got a piece of meat. He was crossing a bridge with the meat in his mouth. He saw his own shadow in the water below. He took this for another dog with another piece of meat in his mouth. He became greedy to get it. He opened his mouth to bark. His own piece of meat fell into the water. The dog lost his meat . He was sorry for his foolishness.

Moral: Greed is not good.



Bengali  


ā§§. āύীāϚেāϰ āĻĒ্āϰāĻļ্āύāĻ—ুāϞিāϰ āωāϤ্āϤāϰ āĻĻাāĻ“ : ā§Šxā§Ģ=ā§§ā§Ģ

ā§§.ā§§ āĻ•োāĻĨাāĻ“ āĻŦা āϚাāώিāϰ āϘāϰেāϰ āĻŦāωāϰা āĻ•āϰে āĻ•্āώেāϤ্ā§°āĻŦ্āϰāϤ।
- ‘āĻ•্āώেāϤ্āϰāĻŦ্āϰāϤ’ āĻ•ীāĻ­াāĻŦে āĻĒাāϞিāϤ āĻšāϝ় āĻŽāϰāĻļুāĻŽেāϰ āĻĻিāύে’ āĻ—āĻĻ্āϝাংāĻļ āĻ…āύুāϏāϰāĻŖে āϞেāĻ–াে।

āωāϤ্āϤāϰঃ āϏুāĻ­াāώ āĻŽুāĻ–ােāĻĒাāϧ্āϝাāϝ় āϰāϚিāϤ 'āĻŽāϰāĻļুāĻŽেāϰ āĻĻিāύে' āĻĒাāĻ ্āϝাংāĻļে āĻĻেāĻ–ি āϚাāώিāϰ āϘāϰেāϰ āĻŦāωāϰা āĻŽূāϞāϤ āĻ•্āώেāϤ্āϰ āĻŦ্āϰāϤ āĻĒাāϞāύ āĻ•āϰে āĻĨাāĻ•ে। āĻāϰ āϜāύ্āϝ āĻŦাāĻĄ়িāϰ āĻ•াāĻ›াāĻ•াāĻ›ি āĻ•োāύাে āĻ–ােāϞা āϜāĻŽিāĻ•ে āĻŦেāĻ›ে āύেāϝ়। āϤাāϰা āύিāϜেāϰাāχ āϘāϟ āĻĒ্āϰāϤিāώ্āĻ া āĻ•āϰে āĻāĻŦং āϤাāϰ āĻ—াāϝ়ে āϏিঁāĻĻুāϰ-āĻĒুāϤ্āϤāϞি āĻঁāĻ•ে āϘāϟেāϰ āϜāϞে āφāĻŽেāϰ āĻĒāϞ্āϞāĻŦ āĻĄুāĻŦিāϝ়ে āĻĻেāϝ়। āϤাāĻĻেāϰ āĻŽāϧ্āϝে āĻ•োāύ āĻŦāϝ়āϏ্āĻ•া āĻŽāĻšিāϞাāĻ•ে āĻŽূāϞāĻŦ্āϰāϤী āĻ•āϰা āĻšāϝ়। āĻāϰāĻĒāϰ āĻŦ্āϰāϤীāϰ āĻĻāϞ āĻšাāϤে āĻĢুāϞ āĻ“ āĻĻূāϰ্āĻŦা āύিāϝ়ে āĻŽূāϞ āĻŦ্āϰāϤীāϰ āĻŽুāĻ– āĻĨেāĻ•ে āĻŦ্āϰāĻĨেāϰ āĻ•āĻĨা āĻļােāύে।

  āϏāύ্āϧ্āϝাāϰ āϏāĻŽāϝ় āωāϞু āĻĻিāϝ়ে āĻŦ্āϰāϤ āϏāĻŽাāĻĒ্āϤ āĻšāϝ়। āĻŦ্āϰāϤ āĻļেāώেāϰ āĻĒāϰে āϚāϞে āϚিāύি,āĻ—ুāĻĄ়āĻŽুāĻĄ়ি,āĻ–āχ āĻ“ āĻĻুāχ āϏāĻšāϝােāĻ—ে āĻĢāϞাāϰ āĻ—্āϰāĻšāĻŖ āĻĒāϰ্āĻŦ। āĻ•্āώেāϤ্āϰāϤ āĻĒাāϞāύেāϰ āĻĻিāύ āĻ­ােāϰে āĻ›েāϞেāϰ āĻŦ্āϰāϤ āĻĒাāϞāύে āĻĻāϞ āϜāĻŽি āĻ•āϰ্āώāĻŖ āĻ•āϰে āĻŦীāϜ āϧাāύ āĻŦāĻĒāύ āĻ•āϰে āĻāĻŦং āϜāϞ āĻĸাāϞে। āĻāĻ­াāĻŦেāχ āĻ•্āώেāϤ্ā§°āĻŦ্ā§°āϤ āĻĒাāϞিāϤ āĻšāϝ়ে āĻĨাāĻ•ে।

ā§§.⧍ ‘āĻĻিāĻŦāϏāϰাāϤ্āϰি āύূāϤāύ āϝাāϤ্āϰী/āύিāϤ্āϝ āύাāϟেāϰ āĻ–েāϞা। —āωāĻĻ্āϧৃāϤাংāĻļেāϰ āϤাā§ŽāĻĒāϰ্āϝ āĻŦিāĻļ্āϞেāώāĻŖ āĻ•āϰাে।

āωāϤ্āϤāϰঃ āωāĻĻ্āϧৃāϤাংāĻļāϟি āϝāϤীāύ্āĻĻ্āϰāύাāĻĨ āϏেāύāĻ—ুāĻĒ্āϤ āϰāϚিāϤ ' āĻšাāϟ āĻ•āĻŦিāϤা āĻĨেāĻ•ে āĻ—ৃāĻšীāϤ। āωāĻ•্āϤ āĻ•āĻŦিāϤাংāĻļেāϰ āϤাā§ŽāĻĒāϰ্āϝ āĻšাāϟেāϰ āĻŽāϧ্āϝে āĻŦিāĻ­িāύ্āύ āϏāĻŽāϝ় āĻŦিāĻ­িāύ্āύ āĻŽাāύুāώ, āĻŦিāĻ­িāύ্āύ āωāĻĻ্āĻĻেāĻļ্āϝ āύিāϝ়ে āĻāϏে āωāĻĒāϏ্āĻĨিāϤ āĻšāϝ়।āĻšাāϟে āĻ•েāύাāĻŦেāϚা āĻļেāώ āĻ•āϰে āĻŦিāϚিāϤ্āϰ āĻŽাāύুāώেāϰ āĻ­িāĻĄ় āϏāĻŽāϝ় āĻšāϞেāχ āϚāϞে āϝাāϝ় āĻšাāϟ āĻ›েāĻĄ়ে।

 āύāϤ্āĻŦ āϜীāĻŦāύāĻ“ āĻ িāĻ• āĻāĻ•āχ āϰāĻ•āĻŽ। āĻšাāϟেāϰ āĻŽāϤােāχ āĻ•āĻ“ে। āϜীāĻŦāύ- āύাāϟ্āϝāĻŽāĻž্āϚে āĻŦিāĻ­িāύ্āύ āϏāĻŽāϝ়ে āĻŦিāϚিāϤ্āϰ āĻŽাāύুāώেāϰ āϏāĻŽাāĻŦেāĻļ āϘāϟে। āĻŽাāύুāώ āϜāύ্āĻŽেāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻāχ āϜীāĻŦāύ āύাāϟ্āϝāĻŽāĻž্āϚে āφāĻŦিāϰ্āĻ­ূāϤ āĻšāϝ়। āĻ•্āϰāĻŽে āĻ…āĻ­িāύāϝ় āϤāĻĨা āϜীāĻŦāύāϝাāĻĒāύ āĻļেāώ āĻ•āϰে āύিāϰ্āĻĻিāώ্āϟ āϏāĻŽāϝ় āĻĒāϰ āĻŽৃāϤ্āϝুāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻāχ āϜীāĻŦāύ-āύাāϟ্āϝāĻŽāĻž্āϚ āĻ›েāĻĄ়ে āϚāϞে āϝাāϝ়। āĻšাāϟে āĻŦিāĻ•্āϰেāϤাāĻĻেāϰ āφāĻ—āĻŽāύেāϰ āĻŽāϤােāχ āĻŽাāύুāώেāϰ āĻāχ āφāϏা āϝাāĻ“āϝ়া āϞেāĻ—েāχ āĻĨাāĻ•ে। āϤাāχ āĻšাāϟেāϰ āĻĒ্āϰāϏāĻ™্āĻ—āϟি āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰে āĻ•āĻŦি āϏুāϚাāϰুāĻ­াāĻŦে āĻŦুāĻিāϝ়ে āĻĻিāϝ়েāĻ›েāύ āĻŽাāύāĻŦ āϜীāĻŦāύেāϰ āϜāύ্āĻŽ-āĻŽৃāϤ্āϝুāϰ āϚিāϰāύ্āϤāύ āϏāϤ্āϝāϟি।


 
ā§§.ā§Š ‘āĻŽূāϞāϤ āϜ্āϝাāĻŽিāϤিāĻ• āφāĻ•াāϰ - āφāĻļ্āϰিāϤ āĻŦāϰ্āĻŖ āϏāĻŽাāĻŦেāĻļেāχ āϰāϚিāϤ āĻšāϝ় āϏাঁāĻ“āϤাāϞি āĻĻেāϝ়াāϞāϚিāϤ্āϰ। āĻŦāĻ•্āϤāĻŦ্āϝāϟিāĻ•ে ‘āĻŽাāϟিāϰ āϘāϰে āĻĻেāϝ়াāϞāϚিāϤ্āϰ āϰāϚāύাāϝ় āϞেāĻ–āĻ• āĻ•ীāĻ­াāĻŦে āĻŦ্āϝাāĻ–্āϝা āĻ•āϰেāĻ›েāύ?

āωāϤ্āϤāϰঃ āϤāĻĒāύ āĻ•āϰ āϤাঁāϰ 'āĻŽাāϟিāϰ āϘāϰে āĻĻেāϝ়াāϞāϚিāϤ্āϰ āĻ—āĻĻ্āϝাংāĻļে āϜাāύিāϝ়েāĻ›েāύ- āϏাঁāĻ“āϤাāϞāϰা āĻŽূāϞāϤ āϜ্āϝাāĻŽিāϤিāĻ• āφāĻ•াāϰ āφāĻļ্āϰিāϤ āĻŦāϰ্āĻŖ āϏāĻŽাāĻŦেāĻļেāχ āĻĻেāϝ়াāϞāϚিāϤ্āϰ āĻ•āϰে āĻĨাāĻ•ে।

  āϞেāĻ–āĻ• āϜাāύিāϝ়েāĻ›েāύ- āϏাঁāĻ“āϤাāϞāϰা āύাāύাāύ āϜ্āϝাāĻŽিāϤি āϏāĻŽাāύ্āϤāϰাāϞ āϰেāĻ–া, āϚāϤুāώ্āĻ•োāĻŖ, āϤ্āϰিāĻ­ুāϜāĻ•ে āϤাāĻĻেāϰ 8িf% āĻšিāϏাāĻŦে āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে। āϤাāϰা āĻ•āĻ–āύāĻ“ āϚāϤুāώ্āĻ•োāĻŖ-āĻāϰ āĻ­িāϤāϰে āϚিāϤ্āϰেāϰ āĻŦিāώāϝ় āϚāϤুāώ্āĻ•োāĻŖ āĻŦāϏিāϝ়ে āύāĻ•āĻļা āĻ•āϰে, āφāĻŦাāϰ āĻ•āĻ–āύাে āϤ্āϰিāĻ­ুāϜেāϰ āĻ­েāϤāϰ āϤ্āϰিāĻ­ুāϜ āĻŦāϏিāϝ়ে āύিāϤ্āϝāύāϤুāύ āϏুāύ্āĻĻāϰ āϚিāϤ্āϰ āĻ…āĻ™্āĻ•āύ āĻ•āϰে। āϤাāĻĻেāϰ āĻ—ৃāĻšāĻ—ুāϞিāϰ āϚাāϰāĻĒাāĻļ āϘিāϰে āĻĨাāĻ•া āĻŦেāĻĻিāϟিāĻ•েāĻ“ āϤাāϰা āĻ•াāϞাে, āĻ—েāϰুāϝ়া āϰং āĻāϰ āϏāĻŽাāύ্āϤāϰাāϞ āϰেāĻ–াāϝ় āϏুāύ্āĻĻāϰ āĻ•āϰে āϤােāϞে। āφāĻŦাāϰ āĻ•āĻ–āύāĻ“ ংāϝ়েāϰ āϰেāĻ–া āĻĻিāϝ়ে āϚāϤুāϏ্āĻ•োāύ- āϤ্āϰিāĻ­ুāϜ āφāĻĻিāĻŦাāϏী āϏāĻŽ্āĻĒ্āϰāĻĻাāϝ় āϘāϰেāϰ āϘāϰেāϰ āĻĻেāĻ“āϝ়াāϞেāϰ āωāĻĒāϰে āϏাāĻĻা āφāĻ•াāĻļী āĻ—েāϰুāϝ়া āĻŦা āĻšāϞāĻĻে āϰংāϝ়েāϰ āϰেāĻ–া āĻĻিāϝ়ে āϚāϤুāϏ্āĻ•োāύ- āϤ্āϰিāĻ­ুāϜ āĻāĻ•েāĻ“ āϘāϰ āϏাāϜাāϝ় ।āĻāĻ­াāĻŦে āĻŽাāϟি āĻĨেāĻ•ে āĻ›āϝ় āĻĢুāϟ āωāϚ্āϚāϤা āĻĒāϰ্āϝāύ্āϤ āĻ…āĻ™্āĻ•āύ āύাāύাāύ āφāĻ•াāϰ- āĻŦāϰ্āĻŖ āϏāĻšāϝােāĻ—ে āϏাঁāĻ“āϤাāϞāϰা āĻĻেāϝ়াāϞ āϚিāϤ্āϰ āĻ…āĻ™্āĻ•āύ āĻ•āϰে।

ā§§.ā§Ē ‘..āϏে āĻŦাāĻĄ়িāϰ āϏেāχ āĻŽাāύুāώāĻĻেāϰ āĻāĻ•āϟি āĻŦāύ্āϧু āĻĢাāĻ•ি āĻĻিāϝ়ে āϚāϞে āĻ—েāϞ āϏেāχ āĻāĻĄ়েāϰ āϰাāϤে। āωāĻĻ্āϧৃāϤিāϟিāϰ āφāϞােāĻ•ে ‘āĻĢঁāĻ•ি’ āĻ—āϞ্āĻĒেāϰ āύাāĻŽāĻ•āϰāĻŖেāϰ āϏাāϰ্āĻĨāĻ•āϤা āĻĒ্āϰāϤিāĻĒāύ্āύ āĻ•āϰাে।

āωāϤ্āϤāϰঃ āϰাāϜāĻ•িāĻļােāϰ āĻĒāϟ্āϟāύাāϝ়āĻ• āϰāϚিāϤ ' āĻĢাāĻ•ি āĻ—āϞ্āĻĒāϟিāϰ āĻĒ্āϰāϧাāύ āϚāϰিāϤ্ā§° āϤāĻĨা āĻ•েāύ্āĻĻ্āϰীāϝ় āĻŦিāώāϝ় āĻšāϞ āĻ—ােāĻĒাāϞāĻŦাāĻŦুāĻĻেāϰ āĻŦাāĻĄ়িāϰ āφāĻŽāĻ—াāĻ›āϟি। āĻ—ােāĻĒাāϞ āĻŦাāĻŦুāϰ āĻŦāϏাāύাে āφāĻŽāĻ—াāĻ›āϟি āĻ›িāϞ āϤাāĻĻেāϰ āĻŦিāĻĒāĻĻ-āφāĻĒāĻĻেāϰ āϏāĻ™্āĻ—ী, āĻŦāύ্āϧু āĻāĻŦং āĻĒাāĻ–িāĻĻেāϰ āύিāϰাāĻĒāĻĻ āφāĻļ্āϰāϝ়āϏ্āĻĨāϞ ।

  āĻĢāϞ - āĻĒাāϤা - āĻ•াāĻ  - āĻ›াāϝ়া āĻĒ্āϰāĻĻাāύāĻ•াāϰী āĻāχ āĻ—াāĻ›āϟি āĻļāϤ āφāϘাāϤ āĻ“ āĻĒ্āϰāϤিāĻŦāύ্āϧāĻ•āϤা āϏāϤ্āϤ্āĻŦেāĻ“ āϏāĻĻāĻŽ্āĻ­ে āĻĻāύ্āĻĄাāϝ়āĻŽাāύ āĻ›িāϞ। āĻ•িāύ্āϤু āĻ•্āϰāĻŽে āĻĄিāĻĄিāĻĄি āϏ্āĻĒ্āϰে āĻ“ āϏুāĻĄ়āĻ™্āĻ— āĻ–োāĻĄ়াāĻ•ে āĻ•েāύ্āĻĻ্āϰ āĻ•āϰে āĻ—াāĻ›āϟি āĻ•্āϰāĻŽāĻļ āĻĻুāϰ্āĻŦāϞ āĻšāϝ়ে āĻĒāĻĄ়ে। āĻĒāϰে āĻ—াāĻ›āϟিāϰ āĻĻিāϝ়েāχ āĻ—াāĻ›āϟি āϏাāĻŽাāύ্āϝ āĻāĻĄ়েāχ āĻŽৃāϤ্āϝুāĻŽুāĻ–ে āĻĸāϞে āĻĒāĻĄ়ে। āϚিāϰāĻŦāύ্āϧু āĻšāϝ়ে āĻ“āĻ া āĻ“āχ āφāĻŽāĻ—াāĻ›āϟিāϰ āĻ•োāύাে āĻĒূāϰ্āĻŦ āϏংāĻ•েāϤ āύা- āĻĻিāϝ়েāχ āĻšāĻ াā§Ž āĻ…āĻĒ্āϰāϤ্āϝাāĻļিāϤāĻ­াāĻŦে āϚāϞে āϝাāĻ“āϝ়াāĻ•ে āĻĢাঁāĻ•ি āĻŦāϞা āĻšāϝ়েāĻ›ে। āϝাāĻŦāϤীāϝ় āĻ…āĻŦāĻŽাāύāύা āĻ“ āĻ…āϤ্āϝাāϚাāϰেāϰ āύীāϰāĻŦ āĻĒ্āϰāϤিāĻŦাāĻĻ āϜাāύিāϝ়ে āĻ—াāĻ›āϟিāϰ āĻ‰ā§ŽāĻĒাāϟāύ āĻšāϝ়েāĻ›ে। āĻŦিāώāϝ় āĻ“ āϘāϟāύা āĻ…āύুāϝাāϝ়ী āĻĢাঁāĻ•ি' āĻāχ āύাāĻŽāĻ•āϰāĻŖāϟি āĻ—āϞ্āĻĒেāϰ āĻŦ্āϝāĻž্āϜāύাāĻ•ে āϏুāϚাāϰুāĻ­াāĻŦে āĻĢুāϟিāϝ়ে āϤুāϞেāĻ›ে āĻāĻŦং āύাāĻŽāĻ•āϰāĻŖāĻ•ে āϏাāϰ্āĻĨāĻ• āĻ•āϰেāĻ›ে।

ā§§.ā§Ģ ‘āĻ–āϞāĻ–āϞ āĻ•āϰে āĻšেāϏে āωāĻ āϞ āϜāϞ, āĻĸেāω āϤুāϞে..
—āĻšেāϏে āωāĻ ে āϜāϞ āĻ•ী āĻŦāϞāϞ?

āωāϤ্āϤāϰঃ āĻĻāĻ•্āώিāĻŖাāϰāĻž্āϜāύ āĻŽিāϤ্āϰ āĻŽāϜুāĻŽāĻĻাāϰ āϰāϚিāϤ 'āφāĻļীāϰ্āĻŦাāĻĻ āĻ—āϞ্āĻĒে āφāĻŽāϰা āĻĻেāĻ–ি āĻĒিঁāĻĒāĻĄ়েāϰ āĻŦিāĻĒāĻĻāϏংāĻ•ুāϞ āĻ…āĻŦāϏ্āĻĨাāϝ় āĻĒাāϤা āĻ“ āĻŦৃāώ্āϟিāϰ āĻŽāϤাে āϜāϞāĻ“ āϤাāĻ•ে āĻĒ্āϰāĻŦােāϧ āĻĻিāϝ়েāĻ›ে। āĻŦৃāώ্āϟি āĻ“ āĻ—াāĻ›েāϰ āĻĒাāϤা āĻŦāϰ্āώাāϝ় āĻāĻ•āϤ্āϰিāϤ āĻšāϝ়ে āφāύāύ্āĻĻে āĻŽেāϤে āĻ“āĻ ে āĻāĻŦং āĻ—াāύ āĻ—েāϝ়ে āĻŦেāĻĄ়াāϝ়। āϜāϞāĻ“ āĻĸেāω āϤুāϞে āĻšাāϏāϤে-āĻšাāϏāϤে āĻĒিāĻĒāĻĄ়েāϰ āĻŽāύে āϏাāĻšāϏ āϏāĻž্āϚাāϰ āĻ•āϰে। āϤাāχ āϜāϞāĻ“ āĻ—াāύ āĻ—েāϝ়ে āĻ“āĻ ে āϏে āϘাāϏāĻ•ে āĻŦāϰ্āώাāϰ āϜāϞে āĻĄুāĻŦিāϝ়ে āĻĻেāϝ় āĻ•াāĻĻাāϝ় āϞুāϟিāϝ়ে āĻĻেāϝ়।

  āϏেāχ āϘাāϏāχ āφāĻŦাāϰ āĻļāϰāϤেāϰ āϏāĻŽāϝ় āĻŽাāĻĨাāϚাāĻĄ়া āĻĻিāϝ়ে āĻ“āĻ ে āϤাāϰ āĻ•াāĻļāĻĢুāϞেāϰ āϏৌāύ্āĻĻāϰ্āϝে āϏāĻ•āϞāĻ•ে āĻŦিāĻŽােāĻšিāϤ āĻ•āϰে। āĻāĻ­াāĻŦেāχ āϜāϞেāϰ āĻ•āĻĨা,āĻšাāϏিāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻŦােāĻাāύাে āĻšāϝ়েāĻ›ে āϘাāϏেāϰ āĻāχ āϜীāĻŦāύ āϏংāĻ—্āϰাāĻŽ āĻšāϞাে āϜীāĻŦāύāĻ•ে āύāϤুāύ āĻ­াāĻŦে āĻĻেāĻ–াāϰ āĻ…āύুāĻĒ্āϰেāϰāĻŖা। āφāϏāϞে āϏāĻŦাāϰ āϜীāĻŦāύে āφāύāύ্āĻĻ- āϏুāĻ– āĻĻুঃāĻ–েāϰ āĻ…āύুāĻ­ূāϤি āϚāĻ•্āϰাāĻ•াāϰে āφāĻŦāϰ্āϤিāϤ āĻšāϝ়। āφāϞােāϚ্āϝ āĻ—āϞ্āĻĒāϟিāϤে āĻĒিঁāĻĒāĻĄ়েāϰ āĻĒ্āϰāϤি āϜāϞেāϰ āϏেāχ āφāĻļ্āĻŦাāϏāĻŦাāĻŖীāχ āϧ্āĻŦāύিāϤ āĻšāϝ়েāĻ›ে।

⧍. āύিāϰ্āĻĻেāĻļ āĻ…āύুāϏাāϰে āύীāϚেāϰ āĻŦ্āϝাāĻ•āϰāĻŖāĻ—āϤ āĻĒ্āϰāĻļ্āύāĻ—ুāϞিāϰ āωāϤ্āϤāϰ āĻĻাāĻ“ :


 
⧍.ā§§ āύীāϚেāϰ āĻļāĻŦ্āĻĻāĻŦিāĻ­āĻ•্āϤিāĻ—ুāϞিāϰ āĻĒ্āϰāϤিāϟিāϰ āφāĻ—ে āĻāĻ•āϟি āĻ•āϰে āωāĻĒāϝুāĻ•্āϤ āĻļāĻŦ্āĻĻ āϜুāĻĄ়ে āĻĒāĻĻ āĻŦাāύাāĻ“ : ā§§Xā§Š=ā§Š

⧍.ā§§.ā§§ āĻĻিāĻ—

⧍.ā§§.⧍ āϰা

⧍.ā§§.ā§Š āĻ—ুāϞি

āωāϤ্āϤāϰঃ

⧍.⧍ āύীāϚেāϰ āĻļāĻŦ্āĻĻāĻ—ুāϞিāϰ āφāĻ—ে āĻĻুāϟি āĻ•āϰে āωāĻĒāϏāϰ্āĻ— āĻŦāϏিāϝ়ে āφāϞাāĻĻা āφāϞাāĻĻা āĻļāĻŦ্āĻĻ āϤৈāϰি āĻ•āϰাে : ā§§x⧍=⧍

⧍.⧍.ā§§ āĻĻেāĻļ

⧍.⧍.⧍ āĻ•াāĻļ

āωāϤ্āϤāϰঃ








History 

 
ā§§. āĻ•' āϏ্āϤāĻŽ্āĻ­েāϰ āϏāĻ™্āĻ—ে ‘āĻ–’ āϏ্āϤāĻŽ্āĻ­ āĻŽেāϞাāĻ“ : ā§§ X ā§Ē = ā§Ē

āĻ•-āϏ্āϤāĻŽ্āĻ­

āĻ–-āϏ্āϤāĻŽ্āĻ­

ā§§.ā§§ āφāϰ্āϝāϏāϤ্āϝ

(āĻ•) āϚāϤুāϰ্āĻĨ āĻŦৌāĻĻ্āϧ āϏংāĻ—ীāϤি

ā§§.⧍ āĻŦāϏুāĻŽিāϤ্āϰ

(āĻ–) āĻĒাāϰ্āĻļ্āĻŦāύাāĻĨ

ā§§.ā§Š āϚāϤুāϰ্āϝাāĻŽāĻŦ্āϰāϤ

(āĻ—) āĻŽāĻšাāĻŦীāϰ

 ā§§.ā§Ē āĻĒāĻŽāĻšাāĻŦ্āϰāϤ

(āϘ) āĻ—ৌāϤāĻŽ āĻŦুāĻĻ্āϧ



āωāϤ্āϤāϰঃ

āĻ•-āϏ্āϤāĻŽ্āĻ­

āĻ–-āϏ্āϤāĻŽ্āĻ­

ā§§.ā§§ āφāϰ্āϝāϏāϤ্āϝ

(āϘ) āĻ—ৌāϤāĻŽ āĻŦুāĻĻ্āϧ

ā§§.⧍ āĻŦāϏুāĻŽিāϤ্āϰ

(āĻ•) āϚāϤুāϰ্āĻĨ āĻŦৌāĻĻ্āϧ āϏংāĻ—ীāϤি

ā§§.ā§Š āϚāϤুāϰ্āϝাāĻŽāĻŦ্āϰāϤ

(āĻ–) āĻĒাāϰ্āĻļ্āĻŦāύাāĻĨ

 ā§§.ā§Ē āĻĒāĻŽāĻšাāĻŦ্āϰāϤ

(āĻ—) āĻŽāĻšাāĻŦীāϰ



⧍. āĻļূāύ্āϝāϏ্āĻĨাāύ āĻĒূāϰāĻŖ āĻ•āϰাে :  ā§§ X ā§Ē = ā§Ē

⧍.ā§§ āĻŦেāĻļিāϰāĻ­াāĻ— āĻŽāĻšাāϜāύāĻĒāĻĻ āĻ—āĻĄ়ে āωāĻ েāĻ›িāϞ _____ āωāĻĒāϤ্āϝāĻ•াāĻ•ে āĻ•েāύ্āĻĻ্āϰ āĻ•āϰে।



āωāϤ্āϤāϰঃ āĻ—āĻ™্āĻ—া-āϝāĻŽুāύা 



⧍.⧍ āĻŽāĻ—āϧেāϰ āϰাāϜāϧাāύী āĻ›িāϞ ___________ 



āωāϤ্āϤāϰঃ āϰাāϜāĻ—ৃāĻš



 
⧍.ā§Š āϏāϰ্āĻŦāϜ্āĻžাāύী āĻšāĻ“āϝ়াāϰ āĻĒāϰ āĻŽāĻšাāĻŦীāϰ āĻĒāϰিāϚিāϤ āĻšāύ__________ āύাāĻŽে।



āωāϤ্āϤāϰঃ āĻ•েāĻŦāϞিāύ


⧍.ā§Ē āĻĒ্āϰāĻĨāĻŽ āĻŦৌāĻĻ্āϧ āϏংāĻ—ীāϤিāϰ āφāϝ়ােāϜāύ āĻ•āϰা āĻšāϝ়েāĻ›িāϞ _________ āĻŽৃāϤ্āϝুāϰ āĻĒāϰ।



āωāϤ্āϤāϰঃ āĻ—ৌāϤāĻŽ āĻŦুāĻĻ্āϧেāϰ



ā§Š. āĻĻুāϟি āĻŦা āϤিāύāϟি āĻŦাāĻ•্āϝে āωāϤ্āϤāϰ āĻĻাāĻ“ :  2 X ā§Š = ā§Ŧ

ā§Š.ā§§ ‘āĻ…āώ্āϟাāĻ™্āĻ—িāĻ• āĻŽাāϰ্āĻ—’ āĻ•ী?



āωāϤ্āϤāϰঃ āĻĻুঃāĻ– āĻĨেāĻ•ে āĻŽুāĻ•্āϤি āĻĒাāĻ“āϝ়াāϰ āϜāύ্āϝ āφāϟāϟি āωāĻĒাāϝ়েāϰ āĻ•āĻĨা āĻ—ৌāϤāĻŽ āĻŦুāĻĻ্āϧ āĻŦāϞেāĻ›িāϞেāύ। āϏেāχ āφāϟāϟি āωāĻĒাāϝ়āĻ•ে āĻāĻ• āϏāĻ™্āĻ—ে āĻŦāϞা āĻšāϝ় āĻ…āώ্āϟাāĻ™্āĻ—িāĻ• āĻŽাāϰ্āĻ— । āĻŽাāϰ্āĻ— āĻŽাāύে āĻĒāĻĨ। āĻāχāĻ•াāϰāĻŖে āφāϟāϟি āĻĒāĻĨāĻ•ে āĻŦāϞা āĻšāϝ় āĻ…āώ্āϟাāĻ™্āĻ—িāĻ• āĻŽাāϰ্āĻ— ।


ā§Š.⧍ ‘āĻŽāϜāĻিāĻŽ āĻĒāύ্āĻĨা’ āĻŦāϞāϤে āĻ•ী āĻŦােāĻাে?



āωāϤ্āϤāϰঃ āĻŽāĻšাāĻŦীāϰ āĻ•āĻ োāϰ āϤāĻĒāϏ্āϝাāϰ āωāĻĒāϰে āϜোāϰ āĻĻিāϝ়েāĻ›িāϞেāύ। āĻ…āύ্āϝāĻĻিāĻ•ে āĻ—ীāϤāĻŽ āĻŦুāĻĻ্āϧ āĻŽāύে āĻ•āϰāϤেāύ āĻ•āĻ োāϰ āϤāĻĒāϏ্āϝা āύিāϰ্āĻŦাāĻŖ āĻŦা āĻŽুāĻ•্āϤি āϞেāĻ­াāϰ āωāĻĒাāϝ় āύāϝ়। āφāĻŦাāϰ, āϚূāĻĄ়াāύ্āϤ āĻ­ােāĻ—-āĻŦিāϞাāϏেāĻ“ āĻŽুāĻ•্āϤিāϰ āĻ–োঁāϜ āĻĒাāĻ“āϝ়া āϝাāϝ় āύা। āĻ—ৌāϤāĻŽ āĻŦুāĻĻ্āϧ āϤাāχ āĻŽāϜāĻিāĻŽ āĻĒāϤিāĻĒাāĻĻ āĻŦা āĻŽāϧ্āϝāĻĒāύ্āĻĨাāϰ āĻ•āĻĨা āĻŦāϞেāĻ›িāϞেāύ ।


ā§Š.ā§Š āĻ•োāύ্ āϏাāĻšিāϤ্āϝ āĻĨেāĻ•ে āϜāύāĻĒāĻĻ-āĻŽāĻšাāϜāύāĻĒāĻĻ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϜাāύা āϝাāϝ়?



āωāϤ্āϤāϰঃ āϜৈāύ āĻ“ āĻŦৌāĻĻ্āϧে āϏাāĻšিāϤ্āϝে āϜāύāĻĒāĻĻ-āĻŽāĻšাāϜāύāĻĒāĻĻ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϜাāύা āϝাāϝ় ।



ā§Ē. āϚাāϰ-āĻĒাঁāϚāϟি āĻŦাāĻ•্āϝে āωāϤ্āϤāϰ āĻĻাāĻ“ :  ā§Š X ⧍ = ā§Ŧ


 
ā§Ē.ā§§ āĻŽāĻšাāϜāύāĻĒāĻĻ āĻ—āĻĄ়ে āωāĻ েāĻ›িāϞ āĻ•ীāĻ­াāĻŦে?



āωāϤ্āϤāϰঃ āĻ–্āϰিāϏ্āϟāĻĒূāϰ্āĻŦ āώāώ্āĻ  āĻļāϤāĻ• āύাāĻ—াāĻĻ āĻāĻ•-āĻāĻ•āϟা āϟা āϜāύāĻĒāĻĻেāϰ āĻ•্āώāĻŽāϤা āĻ•্āϰāĻŽে āĻŦাāĻĄ়āϤে āĻĨাāĻ•ে। āϏেāĻ–াāύāĻ•াāϰ āĻļাāϏāĻ•েāϰা āϝুāĻĻ্āϧ āĻ•āϰে āύিāϜেāĻĻেāϰ āϰাāϜ্āϝেāϰ āϏীāĻŽাāύা āĻŦাāĻĄ়াāϤে āĻĨাāĻ•েāύ। āĻ›ােāϟো āĻ›ােāϟো āϜāύāĻĒāĻĻāĻ—ুāϞিāϰ āĻ•āϝ়েāĻ•āϟি āĻĒāϰিāĻŖāϤ āĻšāϝ় āĻŦāĻĄ়াে āϰাāϜ্āϝে। āĻāχ āĻŦāĻĄ়াে āϰাāϜ্āϝāĻ—ুāϞিāχ āĻŽāĻšাāϜāύāĻĒāĻĻ āĻŦāϞে āĻĒāϰিāϚিāϤ āĻšāϝ়। āϜāύāĻĒāĻĻেāϰ āĻĨেāĻ•ে āϝা āφāϝ়āϤāύ āĻ“ āĻ•্āώāĻŽāϤাāϝ় āĻŦāĻĄ়াে āϤাāχ āĻšāϞাে āĻŽāĻšাāϜāύāĻĒāĻĻ।

  āĻŽāĻšাāϜāύāĻĒāĻĻāĻ—ুāϞিāϰ āĻļাāϏāĻ•āϰা āĻ›িāϞেāύ āĻŦৈāĻĻিāĻ• āϝুāĻ—েāϰ āϰাāϜাāĻĻেāϰ āϚাāχāϤে āĻ…āύেāĻ• āĻŦেāĻļি āĻļāĻ•্āϤিāĻļাāϞী। āϤাঁāĻĻেāϰ āĻšাāϤে āĻ…āύেāĻ• āϏāĻŽ্āĻĒāĻĻ āϜāĻŽা āĻšāϞাে। āϏেāχ āϏāĻŽ্āĻĒāĻĻ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āϤাঁāϰা āύিāϜেāĻĻেāϰ āĻ•্āώāĻŽāϤা āφāϰাে āĻŦাāĻĄ়াāϤে āĻļুāϰু āĻ•āϰে āĻāĻŦং āĻŦিāĻ­িāύ্āύāĻ­াāĻŦে āϝুāĻĻ্āϧে āϞিāĻĒ্āϤ āĻšāϝ়। āĻŽāĻ—āϧ āĻšāϞাে āĻāĻ•āϟি āωāϞ্āϞেāĻ–āϝােāĻ—্āϝ āĻŽāĻšাāϜāύāĻĒāĻĻ।


ā§Ē.⧍ āĻŦৌāĻĻ্āϧ āĻ“ āϜৈāύ āϧāϰ্āĻŽেāϰ āĻŽāϧ্āϝে āĻĻুāϟি āĻŽিāϞ āĻ“ āĻĻুāϟি āĻ…āĻŽিāϞ āϞেāĻ–াে।



āωāϤ্āϤāϰঃ 

āĻŦৌāĻĻ্āϧ āĻ“ āϜৈāύ āϧāϰ্āĻŽেāϰ āĻŽāϧ্āϝে āĻĻুāϟি āĻŽিāϞ :

   • āĻŦৌāĻĻ্āϧ āĻ“ āϜৈāύ āϧāϰ্āĻŽেāϰ āĻĒ্āϰāĻŦāϰ্āϤāĻ• āĻ—ৌāϤāĻŽ āĻŦুāĻĻ্āϧ āĻ“ āĻŽāĻšাāĻŦীāϰ āĻ›িāϞেāύ āĻ•্āώāϤ্āϰিāϝ় āĻŦংāĻļāϜাāϤ। 

  • āĻŦৌāĻĻ্āϧ āĻ“ āϜৈāύ āωāĻ­āϝ় āϧāϰ্āĻŽāχ āϜāύ্āĻŽাāύ্āϤāϰāĻŦাāĻĻে āĻŦিāĻļ্āĻŦাāϏী āĻ›িāϞ।  

āĻŦৌāĻĻ্āϧ āĻ“ āϜৈāύ āϧāϰ্āĻŽেāϰ āĻŽāϧ্āϝে āĻĻুāϟি āĻ…āĻŽিāϞ : 

  • āĻŦৌāĻĻ্āϧāϧāϰ্āĻŽে āĻ­ােāĻ— āĻ“ āϤ্āϝাāĻ—েāϰ āĻŽāϧ্āϝāĻŦāϰ্āϤী āĻĒāĻĨ āĻŽāϜāĻিāĻŽ āĻ…āĻŦāϞāĻŽ্āĻŦāύেāϰ āĻ•āĻĨা āĻŦāϞা āĻšāϝ়েāĻ›ে। āϜৈāύāϧāϰ্āĻŽে āĻ•āĻ োāϰ āϤāĻĒāϏ্āϝা, āϤ্āϝাāĻ— āĻ“ āϤাāϰ āĻĒাāĻļাāĻĒাāĻļি āωāĻĒāĻŦাāϏেāϰ āĻ“āĻĒāϰāĻ“ āĻ—ুāϰুāϤ্āĻŦ āĻĻেāĻ“āϝ়া āĻšāϝ়েāĻ›ে। 

  • āĻ—ৌāϤāĻŽ āĻŦুāĻĻ্āϧ āĻ•েāĻŦāϞāĻŽাāϤ্āϰ āϜীāĻŦ āĻŦা āĻĒ্āϰাāĻŖী āĻšāϤ্āϝাāϰāχ āĻŦিāϰােāϧী āĻ›িāϞেāύ। āϜৈāύāϧāϰ্āĻŽে āĻ•āĻ োāϰ āĻ…āĻšিংāϏāύীāϤিāϰ āĻ•āĻĨা āĻŦāϞা āĻšāϝ়েāĻ›ে। āϜৈāύāϰা āϜāĻĄ়āĻŦāϏ্āϤুāϤেāĻ“ āĻĒ্āϰাāĻŖেāϰ āĻ…āϏ্āϤুিāϤে āĻŦিāĻļ্āĻŦাāϏী āĻ›িāϞেāύ।








Geography 



ā§§. āĻŦিāĻ•āϞ্āĻĒāĻ—ুāϞি āĻĨেāĻ•ে āĻ িāĻ• āωāϤ্āϤāϰāϟি āύিāϰ্āĻŦাāϚāύ āĻ•āϰে āϞেāĻ–াে : ā§§xā§Ē=ā§Ē

ā§§.ā§§ āĻ িāĻ• āϜোāĻĄ়াāϟি āύিāϰ্āĻŦাāϚāύ āĻ•āϰাে—

āĻ•) āĻāĻ•্āϏোāϏ্āĻĢিāϝ়াāϰ - āĻŽেāϘেāϰ āωāĻĒāϏ্āĻĨিāϤি
āĻ–) āĻ­ূāϤ্āĻŦāĻ• - āĻĒāϰিāϚāϞāύ āϏ্āϰোāϤ
āĻ—) āϏāĻŽুāĻĻ্āϰেāϰ āϜāϞ - āĻĒৃāĻĨিāĻŦীāϰ āĻŽােāϟ āϜāϞেāϰ āϤিāύ āĻļāϤাংāĻļ 
āϘ) āĻŦিāĻļ্āĻŦ āωāϝ়াāϝ়āύ - āĻŽāϰুāĻ­ূāĻŽিāϰ āĻĒ্āϰāϏাāϰ

āωāϤ্āϤāϰঃ āϘ) āĻŦিāĻļ্āĻŦ āωāϝ়াāϝ়āύ - āĻŽāϰুāĻ­ূāĻŽিāϰ āĻĒ্āϰāϏাāϰ

ā§§.⧍ āφāύ্āϟাāϰ্āĻ•āϟিāĻ•াāϰ āϏ্āĻĨাāϝ়ী āĻŦাāϏিāύ্āĻĻা āĻĒেāĻ™্āĻ—ুāχāύেāϰ āĻĒ্āϰāϧাāύ āĻ–াāĻĻ্āϝ āĻšāϞাে—

āĻ•) āϏীāϞ  āĻ–) āϤিāĻŽি
āĻ—) āĻ•্āϰিāϞ  āϘ) āĻ…্āϝাāϞāĻŦাāϟ্āϰāϏ

āωāϤ্āϤāϰঃ āĻ—) āĻ•্āϰিāϞ

ā§§.ā§Š āϏূāϰ্āϝāϰāĻļ্āĻŽিāϰ āϝে āĻ…ংāĻļ āĻĒৃāĻĨিāĻŦীāϰ āĻŦাāϝ়ুāĻŽāĻŖ্āĻĄāϞāĻ•ে āωāϤ্āϤāĻĒ্āϤ āύা āĻ•āϰে āϏāϰাāϏāϰি āĻŽāĻšাāĻļূāύ্āϝে āĻĢিāϰে āϝাāϝ় āϤাāĻ•ে āĻŦāϞে—

āĻ•) āĻĒাāϰ্āĻĨিāĻŦ āĻŦিāĻ•িāϰāĻŖ  āĻ–) āĻ•াāϰ্āϝāĻ•āϰী āϏৌāϰ āĻŦিāĻ•িāϰāĻŖ
āĻ—) āχāύāϏােāϞেāĻļāύ  āϘ) āĻ…্āϝাāϞāĻŦেāĻĄাে।

āωāϤ্āϤāϰঃ āϘ) āĻ…্āϝাāϞāĻŦেāĻĄাে

ā§§.ā§Ē āĻ•্āϰাāύ্āϤীāϝ় āĻĒāϰ্āĻŖāĻŽােāϚী āωāĻĻ্āĻ­িāĻĻেāϰ āĻāĻ•āϟি āωāĻĻাāĻšāϰāĻŖ āĻšāϞাে—

āĻ•) āĻĢাāϰ  āĻ–) āĻ•্āϝাāĻ•āϟাāϏ
āĻ—) āĻĒāϞাāĻļ  āϘ) āĻ—āϰাāύ

āωāϤ্āϤāϰঃ āĻ—) āĻĒāϞাāĻļ

⧍. āĻāĻ•āϟি āĻŦা āĻĻুāϟি āĻļāĻŦ্āĻĻে āωāϤ্āϤāϰ āĻĻাāĻ“ :  ā§§xā§Ē=ā§Ē

⧍.ā§§ āĻĒৃāĻĨিāĻŦীāϰ āĻŦাāχāϰেāϰ āĻļāĻ•্āϤ āφāĻŦāϰāĻŖ āĻ•ী āύাāĻŽে āĻĒāϰিāϚিāϤ?

āωāϤ্āϤāϰঃ āĻĒৃāĻĨিāĻŦীāϰ āĻŦাāχāϰেāϰ āĻļāĻ•্āϤ āφāĻŦāϰāĻŖ āĻļিāϞাāĻŽāύ্āĻĄāϞ āύাāĻŽ āĻĒāϰিāϚিāϤ ।

⧍.⧍ ‘āφāύ্āϟাāϰ্āĻ•āϟিāĻ•া’ āĻļāĻŦ্āĻĻāϟিāϰ āĻ…āϰ্āĻĨ āĻ•ী?

āωāϤ্āϤāϰঃ 'āφāύ্āϟাāϰ্āĻ•āϟিāĻ•া' āĻļāĻŦ্āĻĻāϟিāϰ āĻ…āϰ্āĻĨ āωāϤ্āϤāϰেāϰ āĻŦিāĻĒāϰীāϤ ।

⧍.ā§Š āĻ•োāύ āĻ—ােāϞাāϰ্āϧে āϏāĻŽােāώ্āĻŖāϰেāĻ–াāĻ—ুāϞি āĻĒāϰāϏ্āĻĒāϰ āĻĨেāĻ•ে āĻĻূāϰে āĻ…āĻŦāϏ্āĻĨাāύ āĻ•āϰে?
 
āωāϤ্āϤāϰঃ āĻĻāĻ•্āώিāĻŖ āĻ—ােāϞাāϰ্āϧে āϏāĻŽােāώ্āĻŖāϰেāĻ–াāĻ—ুāϞি āĻĒāϰāϏ্āĻĒāϰ āĻĨেāĻ•ে āĻĻূāϰে āĻ…āĻŦāϏ্āĻĨাāύ āĻ•āϰে ।


 
⧍.ā§Ē āĻ­াāϰāϤেāϰ āĻŽূāϞ āĻ­ূāĻ–āĻŖ্āĻĄেāϰ āĻĻāĻ•্āώিāĻŖāϤāĻŽ āĻŦিāύ্āĻĻু āĻ•োāύāϟি?

āωāϤ্āϤāϰঃ āĻ•āύ্āϝাāĻ•ুāĻŽাāϰী āĻšāϞাে āĻ­াāϰāϤেāϰ āĻŽূāϞ āĻ­ূāĻ–āĻŖ্āĻĄেāϰ āĻĻāĻ•্āώিāĻŖāϤāĻŽ āĻŦিāύ্āĻĻু।

ā§Š. āϏংāĻ•্āώিāĻĒ্āϤ āωāϤ্āϤāϰ āĻĻাāĻ“ :  ⧍x⧍=ā§Ē

ā§Š.ā§§ āĻŦাāϝ়ুāĻŽāĻŖ্āĻĄāϞāχ āĻĒৃāĻĨিāĻŦীāϤে āϜীāĻŦāύāϧাāϰāĻŖেāϰ āĻ…āύুāĻ•ূāϞ āϤাāĻĒāĻŽাāϤ্āϰা āĻŦāϜাāϝ় āϰাāĻ–ে’— āĻŦāĻ•্āϤāĻŦ্āϝāϟিāϰ āϝāĻĨাāϰ্āĻĨāϤা āĻŦিāϚাāϰ āĻ•āϰাে।

āωāϤ্āϤāϰঃ āĻĒৃāĻĨিāĻŦীāĻ•ে āϘিāϰে āĻŦাāϝ়ুāϰ āϏ্āϤāϰ āύা āĻĨাāĻ•āϞে āĻ…āύ্āϝাāύ্āϝ āĻ—্āϰāĻšেāϰ āĻŽāϤােāχ āĻĒৃāĻĨিāĻŦীāĻ“ āĻĒ্āϰাāĻŖāĻšীāύ āĻšāϝ়ে āϝেāϤে āĻĒাāϰāϤ।

 āĻŦাāϝ়ু āĻ›াāĻĄ়া āωāĻĻ্āĻ­িāĻĻ āĻ“ āĻĒ্āϰাāĻŖীāϰ āĻŦেঁāϚে āĻĨাāĻ•াāϰ āωāĻĒাāϝ় āĻšāϤাে āύা। āϏূāϰ্āϝেāϰ āϤাāĻĒে āĻĒৃāĻĨিāĻŦী āωāϤ্āϤāĻĒ্āϤ āĻšāϝ় āφāϰ āĻĻিāύ āĻ“ āϰাāϤ āĻŽিāϞিāϝ়ে āϐ āϤাāĻĒ āϧীāϰে āϧীāϰে āĻŦেāϰিāϝ়ে āϝাāϝ়। āĻŦাāϝ়ুāĻŽāĻŖ্āĻĄāϞ āύা āĻĨাāĻ•āϞে āϏূāϰ্āϝাāϏ্āϤেāϰ āĻĒāϰ āĻšāĻ াā§Ž āĻ­ীāώāĻŖ āĻ াāύ্āĻĄা āφāϰ āϏূāϰ্āϝোāĻĻāϝ়েāϰ āĻĒāϰ āĻšāĻ াā§Ž āĻĒ্āϰāĻŦāϞ āĻ—āϰāĻŽ āĻšāϝ়ে āϝেāϤ āĻĒৃāĻĨিāĻŦী।

 āĻŦাāϝ়ুāĻŽāĻŖ্āĻĄāϞেāϰ āϜāύ্āϝ āĻĒৃāĻĨিāĻŦীāϤে āϜীāĻŦāύāϧাāϰāĻŖেāϰ āĻ…āύুāĻ•ূāϞ āϤাāĻĒāĻŽাāϤ্āϰা āĻŦāϜাāϝ় āφāĻ›ে। āĻāĻ›াāĻĄ়াāĻ“, āĻĒ্āϰāϤিāĻĻিāύ āĻĒ্āϰাāϝ় ā§§ā§Ļ āĻšাāϜাāϰ āĻ•োāϟি āĻ›ােāϟো āĻ›ােāϟো āωāϞ্āĻ•া āĻĒৃāĻĨিāĻŦীāϰ āĻĻিāĻ•ে āĻ›ুāϟে āφāϏে। āĻ•িāύ্āϤু āĻŦাāϝ়ুāĻŽāĻŖ্āĻĄāϞেāϰ āϏাāĻĨে āϘāώা āĻ—েāϞে āϜ্āĻŦāϞে āĻ›াāχ āĻšāϝ়ে āϝাāϝ়। āϤাāχ āĻĒৃāĻĨিāĻŦীāϰ āĻ•্āώāϤিāϰ āĻšাāϤ āĻĨেāĻ•ে āϏুāϰāĻ•্āώিāϤ āĻĨাāĻ•ে।

ā§Š.⧍ āφāύ্āϟাāϰ্āĻ•āϟিāĻ•াāϰ āϜāϞāĻŦাāϝ়ুāϰ āĻĻুāϟি āĻŦৈāĻļিāώ্āϟ্āϝ āωāϞ্āϞেāĻ– āĻ•āϰাে।

āωāϤ্āϤāϰঃ  āφāύ্āϟাāϰ্āĻ•āϟিāĻ•াāϰ āϜāϞāĻŦাāϝ়ুāϰ āĻĻুāϟি āĻŦৈāĻļিāώ্āϟ্āϝ āωāϞ্āϞেāĻ– āĻ•āϰা āĻšāϞাে -
 • āϚিāϰāϏ্āĻĨাāϝ়ী āĻŦāϰāĻĢ āφāĻŦৃāϤ āĻĨাāĻ•ে āĻŦāϞে āĻāχ āĻŽāĻšাāĻĻেāĻļ āĻĒৃāĻĨিāĻŦীāϰ āĻļীāϤāϞāϤāĻŽ āĻ…āĻž্āϚāϞ। āϏাāϰাāĻŦāĻ›āϰāχ āĻšিāĻŽāĻļীāϤāϞ āφāĻŦāĻšাāĻ“āϝ়া, āĻ•āύāĻ•āύে āĻ াāύ্āĻĄা āĻŦাāϤাāϏ āφāϰ āϤুāώাāϰ āĻāĻĄ় āϚāϞে। āĻĒৃāĻĨিāĻŦীāϰ āĻļীāϤāϞāϤāĻŽ āϏ্āĻĨাāύ āĻšāϞাে āφāύ্āϟাāϰ্āĻ•āϟিāĻ•াāϰ āĻ­āϏ্āϟāĻ•।

 • āĻŽে-āĻ…āĻ—াāϏ্āϟ āĻŽাāϏে ⧍ā§Ē āϘāύ্āϟাāϝ় āĻ…āύ্āϧāĻ•াāϰ āĻĨাāĻ•ে। āĻāχ āϏāĻŽāϝ় āφāĻ•াāĻļে āϏূāϰ্āϝেāϰ āĻĻেāĻ–া āϝাāϝ় āύা। āĻŽাāĻে āĻŽাāĻে āφāĻ•াāĻļে āϏāĻŦুāϜ āύীāϞ āϞাāϞ āϰāĻ™েāϰ āĻŽেāϰুāϜ্āϝোāϤি āĻĻেāĻ–āϤে āĻĒাāĻ“āϝ়া āϝাāϝ়।


 
ā§Ē. āύীāϚেāϰ āĻĒ্āϰāĻļ্āύāϟিāϰ āωāϤ্āϤāϰ āĻĻাāĻ“ :  ā§Šxā§§=ā§Š

ā§Ē.ā§§ āĻĒৃāĻĨিāĻŦীāϰ āϤাāĻĒāĻŽāĻŖ্āĻĄāϞেāϰ āĻāĻ•āϟি āϚিāĻš্āύিāϤ āϚিāϤ্āϰ āĻ…āĻ™্āĻ•āύ āĻ•āϰাে।

āωāϤ্āϤāϰঃ


ā§Ģ. āύীāϚেāϰ āĻĒ্āϰāĻļ্āύāϟিāϰ āωāϤ্āϤāϰ āĻĻাāĻ“ :  ā§Ģxā§§=ā§Ģ

ā§Ģ.ā§§ āĻ•ী āĻ•ী āωāĻĒাāϝ়ে āĻŽাāϟি āϏংāϰāĻ•্āώāĻŖ āĻ•āϰা āϝেāϤে āĻĒাāϰে āĻŦāϞে āϤুāĻŽি āĻŽāύে āĻ•āϰাে?

āωāϤ্āϤāϰঃ āĻ—াāĻ›েāϰ āĻļিāĻ–āϰ āĻŽাāϟিāĻ•ে āĻ–ুāĻŦ āĻļāĻ•্āϤ āĻ•āϰে āϧāϰে āϰাāĻ–ে। āϤāĻŦে āφāϜāĻ•াāϞ āύাāύা āĻ•াāϰāĻŖে āĻ…āύেāĻ• āĻ—াāĻ› āĻ•াāϟা āĻšāϚ্āĻ›ে। āϏেāχāĻ•াāϰāĻŖে āĻŦৃāώ্āϟিāϰ āϏāĻŽāϝ় āωāĻĒāϰেāϰ āϏ্āϤāϰেāϰ āĻŽাāϟি āϧুāϝ়ে āϝাāϝ়। āĻŽাāϟিāϰ āĻ•্āώāϝ়āϰােāϧ āĻ•āϰāϤে āĻŽাāϟিāĻ•ে āϏংāϰāĻ•্āώāĻŖ āĻ•āϰা āωāϚিāϤ। āĻŽাāϟি āϏংāϰāĻ•্āώāĻŖেāϰ āωāĻĒাāϝ় āĻ—ুāϞি āĻšāϞাে - 

• āĻĒāĻļুāϚাāϰāĻŖ āύিāϝ়āύ্āϤ্āϰিāϤ āĻŽাāϤ্āϰাāϝ় āĻ•āϰা āωāϚিāϤ। āĻŽাāϟিāϰ āĻ…āϤিāϰিāĻ•্āϤ āĻ—āĻ­ীāϰে āĻ–āύিāϜ āϏāĻŽ্āĻĒāĻĻ āφāĻšāϰāĻŖ āĻ•āϰা āĻŦāύ্āϧ āĻ•āϰা āωāϚিāϤ। āĻĒাāĻšাāĻĄ়েāϰ āĻĸাāϞু āĻ…ংāĻļে āϧাāĻĒ āĻ•েāϟে āϚাāώ āĻ•āϰা āωāϚিāϤ।

• āĻ…āĻĒāϰিāĻ•āϞ্āĻĒিāϤāĻ­াāĻŦে āĻ—াāĻ› āĻ•াāϟা āĻŦāύ্āϧ āĻ•āϰা āωāϚিāϤ। 

• āĻŦেāĻļি āĻĒāϰিāĻŽাāύে āϚাāϰাāĻ—াāĻ› āϰােāĻĒāĻŖ āĻ•āϰা āωāϚিāϤ।








Mathematics 

āύীāϚেāϰ āĻĒ্āϰāĻļ্āύāĻ—ুāϞিāϰ āωāϤ্āϤāϰ āϞেāĻ–াে :

1. āĻŦāĻšুāĻŽুāĻ–ী āωāϤ্āϤāϰāϧāϰ্āĻŽী āĻĒ্āϰāĻļ্āύ (MCQ) :


(i) 0.2 x 0.2 =

(a) 2/10  (b) d4/10  (c) 2 x 2 /10   (d) 2x2/100


āωāϤ্āϤāϰঃ (d) 2x2/100


(ii) 2.5 āĻ•িāĻŽি. =

(a) 2.5/100 āĻŽি,  (b) 2.5 x 100 āĻŽি,  (c) 2.5 x 1000 āĻŽি.  d) 2.5/1000 āĻŽি.


āωāϤ্āϤāϰঃ (c) 2.5 x 1000 āĻŽি.


(iii) āϏāĻ িāĻ• āϏāĻŽ্āĻĒāϰ্āĻ•āϟি āĻšāϞাে

(a) 0.3 < 0.33  (b) 0.3 > 0.33  (c) 0.3 = 0.33  (d) 0.3+ 3 = 0.33


āωāϤ্āϤāϰঃ (c) 0.3 = 0.33


(iv) 50 āĻ“ 100-āĻāϰ āĻŽāϧ্āϝāĻŦāϰ্āϤী āĻāĻ•āϜোāĻĄ়া āϏংāĻ–্āϝা āϝাāĻĻেāϰ āĻ—.āϏা.āĻ—ু. 16, āϏংāĻ–্āϝাāϜোāĻĄ়া āĻšāϞাে

(a) 16,64  (b) 16,80  (c) 50, 64  (d) 64, 80


āωāϤ্āϤāϰঃ (d) 64, 80


2. āϏāϤ্āϝ/ āĻŽিāĻĨ্āϝা āϞেāĻ–াে (T/F) :


(i) 6, 8, 10 āĻ“ 12 āĻĻিāϝ়ে āĻŦিāĻ­াāϜ্āϝ āĻ•্āώুāĻĻ্āϰāϤāĻŽ āϏংāĻ–্āϝাāϟি āĻšāϞাে 6, 8, 10 āĻ“ 12-āĻāϰ āĻ—.āϏা.āĻ—ু.।


āωāϤ্āϤāϰঃ āĻŽিāĻĨ্āϝা


(ii) 3 āϜāύ āϏāĻĻāϏ্āϝāϝুāĻ•্āϤ āĻĒāϰিāĻŦাāϰেāϰ āϏংāĻ–্āϝা 5 āĻšāϞে, 3 āϜāύ āϏāĻĻāϏ্āϝāϝুāĻ•্āϤ āĻĒāϰিāĻŦাāϰেāϰ āĻĒāϰিāϏংāĻ–্āϝা 5।


āωāϤ্āϤāϰঃ āϏāϤ্āϝ


(iii) P _________ Q, āϚিāϤ্āϰে PQ āĻāĻ•āϟি āϏāϰāϞāϰেāĻ–া।


āωāϤ্āϤāϰঃ āĻŽিāĻĨ্āϝা


(iv) ......... āϚিāϤ্āϰে AD, BE āĻāĻŦং CF āϏāϰāϞāϰেāĻ–াংāĻļāĻ—ুāϞি āϏāĻŽāĻŦিāύ্āĻĻু।


āωāϤ্āϤāϰঃ āϏāϤ্āϝ


3. āĻŦাāĻŽāĻĻিāĻ•েāϰ āϏāĻ™্āĻ—ে āĻĄাāύāĻĻিāĻ• āĻŽেāϞাāĻ“ :  1x4


āĻŦাāĻŽ āϏ্āϤāĻŽ্āĻ­

āĻĄাāύ āϏ্āϤāĻŽ্āĻ­

(i) āφāϝ়āϤāϘāύ

(a) 1āϟি āĻŦāĻ•্āϰāϤāϞ

(ii)  āύিāϰেāϟ āϚোāĻ™

(b) 1āϟি āϏāĻŽāϤāϞ āĻ“ 1āϟি āĻŦāĻ•্āϰāϤāϞ

(iii) āύিāϰেāϟ āĻ…āϰ্āϧāĻ—ােāϞāĻ•

(c) 2āϟি āϏāĻŽāϤāϞ āĻ“ Iāϟি āĻŦāĻ•্āϰāϤāϞ

(iv) āύিāϰেāϟ āĻ—ােāϞāĻ•

(d) 6āϟি āϏāĻŽāϤāϞ


āωāϤ্āϤāϰঃ


āĻŦাāĻŽ āϏ্āϤāĻŽ্āĻ­

āĻĄাāύ āϏ্āϤāĻŽ্āĻ­

(i) āφāϝ়āϤāϘāύ

(d) 6āϟি āϏāĻŽāϤāϞ

(ii)  āύিāϰেāϟ āϚোāĻ™

(c) 2āϟি āϏāĻŽāϤāϞ āĻ“ Iāϟি āĻŦāĻ•্āϰāϤāϞ

(iii) āύিāϰেāϟ āĻ…āϰ্āϧāĻ—ােāϞāĻ•

(b) 1āϟি āϏāĻŽāϤāϞ āĻ“ 1āϟি āĻŦāĻ•্āϰāϤāϞ

(iv) āύিāϰেāϟ āĻ—ােāϞāĻ•

(a) 1āϟি āĻŦāĻ•্āϰāϤāϞ 


4. āϏংāĻ•্āώিāĻĒ্āϤ āωāϤ্āϤāϰāϧāϰ্āĻŽী āĻĒ্āϰāĻļ্āύ :


(1) ........ āϤ্āϰিāĻ­ুāϜেāϰ āĻĒāϰিāϏীāĻŽা āĻ•ি?

āϚিāϤ্āϰে āϤ্āϰিāĻ­ুāϜāϟিāϰ āĻĒāϰিāϏীāĻŽা āύিāϰ্āĻŖāϝ় āĻ•āϰাে।


āωāϤ্āϤāϰঃ



(ii) āφāĻŽি 0 āĻĨেāĻ•ে -6 āĻ—েāϞাāĻŽ। āχāĻšা āϏংāĻ–্āϝাāϰেāĻ–াāϰ āϏাāĻšাāϝ্āϝে āĻĻেāĻ–াāĻ“।


āωāϤ্āϤāϰঃ



5. āĻŽāĻšাāϜাāϤি āĻŦিāĻĻ্āϝাāĻŽāύ্āĻĻিāϰেāϰ 150 āϜāύ āĻ›াāϤ্āϰেāϰ āωāĻĒāϰে āϏাāϰ্āĻ­ে āĻ•āϰে āĻĻেāĻ–া āĻšāϝ়েāĻ›ে āĻ•োāύ্ āĻ›াāϤ্āϰāĻ›াāϤ্āϰী āĻ•োāύ্ āĻŦিāώāϝ় āĻ­াāϞােāĻŦেāϏে āϚāϰ্āϚা āĻ•āϰে। āϏেāχ āϏাāϰ্āĻ­ে āĻĨেāĻ•ে āĻĒাāĻ“āϝ়া āĻ•াঁāϚা āϤāĻĨ্āϝāϟি āĻšāϞাে—


āωāϤ্āϤāϰঃ









Health Education  


ā§§। āĻļূāύ্āϝāϏ্āĻĨাāύ āĻĒূāϰāĻŖ āĻ•āϰাে :  ā§§ X ā§Š = ā§Š

(āĻ•) āϰােāĻ— _________ āĻšāϞে āφāĻŽাāĻĻেāϰ āĻļāϰীāϰ āĻĻুāϰ্āĻŦāϞ āĻšāϝ়ে āϝাāϝ়।

āωāϤ্āϤāϰঃ āϏংāĻ•্āϰাāĻŽিāϤ

(āĻ–) āĻ…āϏংāĻ•্āϰাāĻŽāĻ• āϰােāĻ— āϜিāύāĻ—āϤāĻ­াāĻŦে __________ āĻĨেāĻ•ে āφāϏāϤে āĻĒাāϰে।

āωāϤ্āϤāϰঃ āĻĒূāϰ্āĻŦāĻĒুāϰুāώ

(āĻ—) āĻŽাāύুāώ āϝāĻ–āύ āĻ•োāύাে āĻ•িāĻ›ু āĻļেāĻ–ে āϤা āĻŦাāϰāĻŦাāϰ āĻĒুāύāϰাāĻŦৃāϤ্āϤি āĻ•āϰে āĻŦা āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰে, āĻāĻ•েāχ āĻŦāϞে _________ 

āωāϤ্āϤāϰঃ āĻ…āĻ­্āϝাāϏ


 
⧍। āĻŦāĻšুāϰ āĻŽāϧ্āϝে āĻĨেāĻ•ে āϏāĻ িāĻ• āωāϤ্āϤāϰāϟি āύিāϰ্āĻŦাāϚāύ āĻ•āϰে 'āϚিāĻš্āύ āĻĻাāĻ“। ā§§X ā§Ģ = ā§Ģ

(āĻ•) āĻĻীāϰ্āϘāĻ•্āώāĻŖ āĻļāϰীāϰ āϚāϰ্āϚাāϰ āϏāĻŽāϝ় āĻļাāϰীāϰিāĻ• āĻĻুāϰāϤ্āĻŦ āĻŦāϜাāϝ় āϰাāĻ–া āϏāϤ্āϤ্āĻŦেāĻ“ āĻ•ী āĻŽাāϏ্āĻ• āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āωāϚিāϤ?
(i) āĻš্āϝা (ii) āύা (iii) āĻ…āύিāĻļ্āϚিāϤ

āωāϤ্āϤāϰঃ (ii) āύা

(āĻ–) āĻ•োāύ āĻ­িāϟাāĻŽিāύেāϰ āĻ…āĻ­াāĻŦে āĻļিāĻļুāĻĻেāϰ āϰাāϤāĻ•াāύা āϰােāĻ— āĻšāϤে āĻĒাāϰে?
(i) āĻ­িāϟাāĻŽিāύ A (ii) āĻ­িāϟাāĻŽিāύ C (iii) āĻ•োāύােāϟিāχ āύāϝ়

āωāϤ্āϤāϰঃ (i) āĻ­িāϟাāĻŽিāύ A

(āĻ—) āĻĒāϰােāĻĒāĻ•াāϰ āĻ“ āϏāĻŽাāϜāϏেāĻŦাāĻŽূāϞāĻ• āĻ•াāϜ āĻ•āϰা।
(i) āϏু-āĻ…āĻ­্āϝাāϏ (ii) āĻ•ু-āĻ…āĻ­্āϝাāϏ (iii) āĻ•োāύােāϟিāχ āύāϝ়

āωāϤ্āϤāϰঃ (i) āϏু-āĻ…āĻ­্āϝাāϏ

(āϘ) āĻ–াāĻŦাāϰ āĻĨাāϞাāĻŦাāϏāύ āĻŽাāϜাāϰ āϜāύ্āϝ āĻ•োāύ āϧāϰāύেāϰ āϜāϞ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āωāϚিāϤ?
(i) āĻĻূāώিāϤ āϜāϞ (ii) āĻŦিāĻļুāĻĻ্āϧ āϜāϞ (iii) āĻĻূāώিāϤ āĻŦা āĻŦিāĻļুāĻĻ্āϧ āϜāϞ

āωāϤ্āϤāϰঃ (ii) āĻŦিāĻļুāĻĻ্āϧ āϜāϞ

(āĻ™) āĻŽাāύāĻŦāĻĻেāĻšে āϜāϞেāϰ āĻĒ্āϰāϝ়ােāϜāύ āĻšāϝ় āĻ•েāύ?
(i) āϰāĻ•্āϤ āϏāĻžাāϞāύে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে (ii) āĻĒāϰিāĻĒাāĻ• āĻ“ āĻĻেāĻš āĻ—āĻ āύে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে
(iii) āĻĻেāĻšāĻ•োāĻļে āϜāϞেāϰ āϏāĻŽāϤা āĻŦāϜাāϝ় āϰাāĻ–āϤে (iv) āϏāĻŦāĻ•āϝ়āϟি āĻ•্āώেāϤ্āϰে

āωāϤ্āϤāϰঃ (iv) āϏāĻŦāĻ•āϝ়āϟি āĻ•্āώেāϤ্āϰে

ā§Š। āϏাāϰāĻŖিāϰ āĻŽāϧ্āϝে āϏāĻŽ্āĻĒāϰ্āĻ• āϏ্āĻĨাāĻĒāύ āĻ•āϰাে। ā§§x ā§Š = ā§Š

āĻŦাāĻŽāĻĻিāĻ•

āĻĄাāύāĻĻিāĻ•

(āĻ•) āĻŦিāĻļুāĻĻ্āϧ āϜāϞ

(i) āĻĻৃāώ্āϟিāĻļāĻ•্āϤি

(āĻ–) āφāϞাে

(ii) āϏ্āĻŦাāĻĻāĻšীāύ

(āĻ—) āĻŦিāĻļুāĻĻ্āϧ āĻŦাāϝ়ু

(iii) āĻŦāϰ্āĻŖ āĻ“ āĻ—āύ্āϧāĻšীāύ

 



āωāϤ্āϤāϰঃ

āĻŦাāĻŽāĻĻিāĻ•

āĻĄাāύāĻĻিāĻ•

(āĻ•) āĻŦিāĻļুāĻĻ্āϧ āϜāϞ

(ii) āϏ্āĻŦাāĻĻāĻšীāύ

(āĻ–) āφāϞাে

(i) āĻĻৃāώ্āϟিāĻļāĻ•্āϤি

(āĻ—) āĻŦিāĻļুāĻĻ্āϧ āĻŦাāϝ়ু

(iii) āĻŦāϰ্āĻŖ āĻ“ āĻ—āύ্āϧāĻšীāύ

 




ā§Ē। āύীāϚেāϰ āϝােāĻ—াāϏāύেāϰ āĻ­āĻ™্āĻ—িāϟি āĻļāύাāĻ•্āϤ āĻ•āϰে āϝােāĻ—াāϏāύāϟিāϰ āύাāĻŽ āϞেāĻ–াে āĻāĻŦং āϝােāĻ—াāϏāύāϟিāϰ āĻ…āύুāĻļীāϞāύেāϰ āĻĒāĻĻ্āϧāϤিāϰ āĻĒāϰ্āϝাāϝ়āĻ—ুāϞি āĻŦāϰ্āĻŖāύা āĻ•āϰাে āĻāĻŦং āωāĻĒāĻ•াāϰিāϤাāĻ—ুāϞি āϤাāϞিāĻ•াāĻ­ুāĻ•্āϤ āĻ•āϰাে।
ā§§+ ā§Š + ⧍ = ā§Ŧ

āωāϤ্āϤāϰঃ āωāĻĒāϰােāĻ•্āϤ āϝােāĻ—াāϏāύāϟিāϰ āύাāĻŽ āĻšāϞাে āύৌāĻ•াāϏāύ। 


 
 āĻ…āĻ­্āϝাāϏেāϰ āĻĒāĻĻ্āϧāϤিঃ

  āĻĒ্āϰাāϰāĻŽ্āĻ­িāĻ• āĻ…āĻŦāϏ্āĻĨা : āĻŽাāϟিāϰ āωāĻĒāϰ āĻĻুāϟি āĻĒা āϜোāĻĄ়া āĻ•āϰে āωāĻĒুāĻĄ় āĻšāϝ়ে āĻļুāϤে āĻšāĻŦে। āĻšাāϤ āĻ“ āĻŽাāĻĨা āĻĻুāĻĒাāĻļে āϏােāϜা āĻĨাāĻ•āĻŦে, āĻšাāϤেāϰ āϚেāϟো āĻŽাāϟিāϰ āωāĻĒāϰ āĻĨাāĻ•āĻŦে। 
(ā§§) āĻāϰāĻĒāϰ āĻĻু-āĻšাāϤ āĻŽাāĻĨাāϰ āĻĻু-āĻĒাāĻļে āϰেāĻ–ে āĻĻু-āĻšাāϤেāϰ āϤাāϞু āĻ•āϰāϜোāĻĄ় āĻ•āϰāϤে āĻšāĻŦে। 
(⧍) āĻāχ āĻ…āĻŦāϏ্āĻĨাāϝ় āĻĒেāϟ āĻŽাāϟিāϤে āϰেāĻ–ে āĻļāϰীāϰেāϰ āϊāϰ্āϧ্āĻŦাংāĻļāĻ“ āύিāĻŽ্āύাংāĻļ āϝāϤāϟা āϏāĻŽ্āĻ­āĻŦ āĻŽাāϟি āĻĨেāĻ•ে āωāĻĒāϰে āϤুāϞāϤে āĻšāĻŦে, āϝাāϤে āύৌāĻ•াāϰ āĻŽāϤাে āĻĻেāĻ–āϤে āϞাāĻ—ে। 

  āĻ…āĻŦāϏ্āĻĨাāύāĻ•াāϞ: āĻŽāύে āĻŽāύে āĻĻāĻļ āĻ—ােāύা āĻĒāϰ্āϝāύ্āϤ āφāϏāύāϟিāϰ āĻ…āύ্āϤিāĻŽ āĻ…āĻŦāϏ্āĻĨা āϧāϰে āϰাāĻ–āϤে āĻšāĻŦে। āϧীāϰে āϧীāϰে āĻ…āĻ­্āϝাāϏেāϰ āĻŽাāϧ্āϝāĻŽে āϏāĻŽāϝ়āϏীāĻŽা āĻŦাāĻĄ়াāϤে āĻšāĻŦে। 

  āωāĻĒāĻ•াāϰিāϤা: āĻāχ āφāϏāύ āĻ…āĻ­্āϝাāϏেāϰ āĻĢāϞে āĻĒেāϟেāϰ āĻŽাংāϏāĻĒেāĻļি āϏুāϏ্āĻĨ āĻ“ āϏāĻŦāϞ āĻĨাāĻ•ে, āĻĄাāϝ়াāĻŦেāϟিāϏ āϰােāĻ—ীāϰ āĻ•্āώেāϤ্āϰে āĻāχ āφāϏāύ āĻ–ুāĻŦāχ āωāĻĒāϝােāĻ—ী। 

 āϏীāĻŽাāĻŦāĻĻ্āϧāϤা: āĻŽেāϰুāĻĻāĻŖ্āĻĄ āĻ“ āĻ•োāĻŽāϰে āĻŦ্āϝāĻĨা āĻĨাāĻ•āϞে āĻāχ āϧāϰāύেāϰ āφāϏāύ āĻ…āĻ­্āϝাāϏ āĻ•āϰা āωāϚিāϤ āύāϝ়।

ā§Ģ। āϏংāĻ•্āϰাāĻŽāĻ• āϰােāĻ—েāϰ āĻ•াāϰāĻŖāĻ—ুāϞি āϤাāϞিāĻ•াāĻ­ুāĻ•্āϤ āĻ•āϰাে।  ā§§ X ā§Š = ā§Š

āωāϤ্āϤāϰঃ





ENVS 



ā§§. āĻ িāĻ• āωāϤ্āϤāϰāϟি āύিāϰ্āĻŦাāϚāύ āĻ•āϰে āϞেāĻ–াে : ā§§xā§Š=ā§Š


ā§§.ā§§ āĻĒেāϟ্āϰোāϞিāϝ়াāĻŽ āϏāĻŽ্āĻŦāύ্āϧে āϝে āĻ•āĻĨাāϟা āĻ িāĻ• āύāϝ় āϤা āĻšāϞাে –



(āĻ•) āĻĒেāϟ্āϰোāϞিāϝ়াāĻŽ āĻāĻ• āϧāϰāύেāϰ āϜীāĻŦাāĻļ্āĻŽ āϜ্āĻŦাāϞাāύি

(āĻ–) āĻĒাāϞāϞিāĻ• āĻļিāϞাāϏ্āϤāϰেāϰ āύীāϚে āĻĒেāϟ্āϰোāϞিāϝ়াāĻŽ āϜāĻŽা āĻšāϝ়

(āĻ—) āĻĒেāϟ্āϰোāϞিāϝ়াāĻŽāĻ•ে āϏংāĻ•্āώেāĻĒে āĻĒেāϟ্āϰোāϞ āĻŦāϞা āĻšāϝ়

(āϘ) āĻĒেāϟ্āϰোāϞিāϝ়াāĻŽ āĻĨেāĻ•ে āύাāύা āϧāϰāύেāϰ āϤāϰāϞ āϜ্āĻŦাāϞাāύি āϤৈāϰি āĻ•āϰা āĻšāϝ়।



āωāϤ্āϤāϰঃ (āĻ—) āĻĒেāϟ্āϰোāϞিāϝ়াāĻŽāĻ•ে āϏংāĻ•্āώেāĻĒে āĻĒেāϟ্āϰোāϞ āĻŦāϞা āĻšāϝ়



ā§§.⧍ āϝেāϟা SI āĻāĻ•āĻ• āύāϝ় āϏেāϟা āĻšāϞাে –



(āĻ•) āĻ•িāϞােāĻ—্āϰাāĻŽ

(āĻ–) āĻŽিāϟাāϰ

(āĻ—) āϏেāĻ•েāύ্āĻĄ

(āϘ) āχāĻž্āϚি।



āωāϤ্āϤāϰঃ (āϘ) āχāĻž্āϚি।



ā§§.ā§Š āϏাāϰা āĻļāϰীāϰ āĻĨেāĻ•ে āωāĻž্āϚ āĻ“ āύিāĻŽ্āύ āĻŽāĻšাāĻļিāϰা āĻĻিāϝ়ে āĻ…āĻŦিāĻļুāĻĻ্āϧ āϰāĻ•্āϤ āĻšৃā§ŽāĻĒিāĻŖ্āĻĄেāϰ āϝে āĻĒ্āϰāĻ•োāώ্āĻ ে āĻĒৌঁāĻ›ােāϝ় āϏেāϟি āĻšāϞাে –



(āĻ•) āĻĄাāύ āύিāϞāϝ়

(āĻ–) āĻŦাāĻŽ āύিāϞāϝ়

(āĻ—) āĻĄাāύ āĻ…āϞি

(āϘ) āĻŦাāĻŽ āĻ…āϞিāύ্āĻĻ।



āωāϤ্āϤāϰঃ (āĻ—) āĻĄাāύ āĻ…āϞি



⧍. āĻŦাāĻŽ āϏ্āϤāĻŽ্āĻ­েāϰ āϏāĻ™্āĻ—ে āĻĄাāύ āϏ্āϤāĻŽ্āĻ­েāϰ āĻŽিāϞ āĻ•āϰে āϞেāĻ–াে :  ā§§xā§Š=ā§Š



āĻŦাāĻŽ āϏ্āϤāĻŽ্āĻ­

āĻĄাāύ āϏ্āϤāĻŽ্āĻ­

⧍.ā§§ āχāϞেāĻ•āϟ্āϰিāĻ• āχāϏ্āϤ্āϰি

āĻ•) āϰāĻ•্āϤ āϜāĻŽাāϟ āĻŦাঁāϧāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰা

⧍.⧍ āϤাāĻĒ āĻŦিāĻĻ্āϝুā§Ž āĻ•েāύ্āĻĻ্āϰ

āĻ–) āϤāĻĄ়িā§ŽāĻļāĻ•্āϤি āĻĨেāĻ•ে āϤাāĻĒāĻļāĻ•্āϤি

⧍.ā§Š āĻ…āĻŖুāϚāĻ•্āϰিāĻ•া

āĻ—) āϤাāĻĒāĻļāĻ•্āϤি āĻĨেāĻ•ে āϤāĻĄ়িā§ŽāĻļāĻ•্āϤি

 

āϘ) āϰােāĻ— āĻĒ্āϰāϤিāϰােāϧে āϏাāĻšাāϝ্āϝ āĻ•āϰা



āωāϤ্āϤāϰঃ



āĻŦাāĻŽ āϏ্āϤāĻŽ্āĻ­

āĻĄাāύ āϏ্āϤāĻŽ্āĻ­

⧍.ā§§ āχāϞেāĻ•āϟ্āϰিāĻ• āχāϏ্āϤ্āϰি

āĻ–) āϤāĻĄ়িā§ŽāĻļāĻ•্āϤি āĻĨেāĻ•ে āϤাāĻĒāĻļāĻ•্āϤি

⧍.⧍ āϤাāĻĒ āĻŦিāĻĻ্āϝুā§Ž āĻ•েāύ্āĻĻ্āϰ

āĻ—) āϤাāĻĒāĻļāĻ•্āϤি āĻĨেāĻ•ে āϤāĻĄ়িā§ŽāĻļāĻ•্āϤি

⧍.ā§Š āĻ…āĻŖুāϚāĻ•্āϰিāĻ•া

āĻ•) āϰāĻ•্āϤ āϜāĻŽাāϟ āĻŦাঁāϧāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰা

 





ā§Š. āĻāĻ•āϟি āĻŦা āĻĻুāϟি āĻŦাāĻ•্āϝে āωāϤ্āϤāϰ āĻĻাāĻ“ :  ⧍xā§Ē=ā§Ž


 
ā§Š.ā§§ āĻ•োāύাে āϧাāϤুāϰ āφāĻ•āϰিāĻ• āĻŦāϞāϤে āĻ•ী āĻŦােāĻাāϝ় āϤা āĻŦ্āϝাāĻ–্āϝা āĻ•āϰাে।



āωāϤ্āϤāϰঃ āϝে āĻ–āύিāϜ āĻĨেāĻ•ে āϧাāϤুāĻ•ে āϏāϏ্āϤাāϝ় āĻ“ āϏāĻšāϜে āĻŦাāϰ āĻ•āϰা āϏāĻŽ্āĻ­āĻŦ āϤাāĻ•ে āϧাāϤুāϰ āφāĻ•āϰিāĻ• āĻŦা ‘āĻ“āϰ (ore) āĻŦāϞা āĻšāϝ়। 



ā§Š.⧍ āĻ–াāĻĻ্āϝ āĻĒিāϰাāĻŽিāĻĄেāϰ āĻāĻ• āĻĒুāώ্āϟিāϏ্āϤāϰ āĻĨেāĻ•ে āĻĒāϰāĻŦāϰ্āϤী āĻĒুāώ্āϟিāϏ্āϤāϰে āĻ–াāĻĻ্āϝেāϰ āĻŽাāϧ্āϝāĻŽে āϝāϤāϟুāĻ•ু āĻļāĻ•্āϤি āϝাāϝ় āϤাāϰ āĻŦেāĻļিāϰāĻ­াāĻ— āĻ–াāĻĻāĻ• āĻĒ্āϰাāĻŖীāĻĻেāϰ āĻĻেāĻšে āϏāĻž্āϜিāϤ āĻĨাāĻ•ে āύা। āϤাāĻšāϞে āĻļāĻ•্āϤিāϰ āĻŦেāĻļিāϰāĻ­াāĻ— āĻ•োāĻĨাāϝ় āϝাāϝ়?



āωāϤ্āϤāϰঃ

i. āĻāĻ• āĻĒুāώ্āϟিāϏ্āϤāϰ āĻĨেāĻ•ে āĻĒāϰāĻŦāϰ্āϤী āĻĒুāώ্āϟি āϏ্āϤāϰে āĻ–াāĻĻ্āϝ āĻšিāϏেāĻŦে āĻŦ্āϝāĻŦāĻšৃāϤ āĻšāĻ“āϝ়াāϰ āϏāĻŽāϝ়, āĻļāĻ•্āϤিāϰ āĻāĻ•āϟা āĻ…ংāĻļ āύাāύাāύ āĻļাāϰীāϰāĻŦৃāϤ্āϤীāϝ় āĻ•াāϜে āĻ–āϰāϚ āĻšāϝ়। āĻļāĻ•্āϤিāϰ āĻāχ āĻ…ংāĻļāϟুāĻ•ু āφāϰ āĻĒāϰেāϰ āĻĒুāώ্āϟিāϏ্āϤāϰে āĻĒৌঁāĻ›ােāϤে āĻĒাāϰে āύা। 



ii. āĻĒুāώ্āϟিāϏ্āϤāϰেāϰ āĻ…āύ্āϤāϰ্āĻ—āϤ āϜীāĻŦāϰা āĻŽāϰে āϝাāϝ়।āĻŽāϰাāϰ āĻĒāϰ āĻĒāϚা āĻ—āϞা āĻŽৃāϤāĻĻেāĻš āĻŽাāϟিāϤে āĻŽিāĻļে āĻ—েāϞে āĻĒāϰāĻŦāϰ্āϤী āĻĒুāώ্āϟিāϏ্āϤāϰেāϰ āϜীāĻŦāϰা āĻ“āχ āĻļāĻ•্āϤি āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰāϤে āĻĒাāϰে।



ā§Š.ā§Š āϜāϞ āĻŦা āĻ–াāĻŦাāϰে āĻŽিāĻļে āĻĨাāĻ•া āϜীāĻŦাāĻŖুāĻĻেāϰ āϧ্āĻŦংāϏ āĻ•āϰাāϰ āϜāύ্āϝ āφāĻŽাāĻĻেāϰ āĻļāϰীāϰে āĻ•ী āĻ•ী āĻŦ্āϝāĻŦāϏ্āĻĨা āφāĻ›ে?



āωāϤ্āϤāϰঃ ā§§.āϞাāϞাāϝ় āϞাāχāϏােāϜোāĻŽ (āϜীāĻŦাāĻŖু āϧ্āĻŦংāϏāĻ•াāϰী āϰাāϏাāϝ়āύিāĻ• āĻĒāĻĻাāϰ্āĻĨ) ⧍.āĻĒাāĻ•āϏ্āĻĨāϞী āϤে āĻšাāχāĻĄ্āϰোāĻ•্āϞোāϰিāĻ• āĻ…্āϝাāϏিāĻĄ



ā§Š,ā§Ē “āĻŽাāύāĻŦāĻĻেāĻšে āύাāύা āĻ•াāϰāĻŖে āĻ…āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻŦিāĻ•াāĻļ āϘāϟāϤে āĻĒাāϰে” āĻ•াāϰāĻŖāĻ—ুāϞি āĻ•ী āĻ•ী?



āωāϤ্āϤāϰঃ āύাāύা āĻ•াāϰāĻŖে āĻ…āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻŦিāĻ•াāĻļ āϘāϟāϤে āĻĒাāϰে। āĻ•āĻ–āύāĻ“ āϝāĻĨেāώ্āϟ āĻ–াāĻŦাāϰ āύা āĻĒেāϞে, āĻ•āĻ–āύāĻ“ āĻŦা āĻŦেāĻļি āĻ–াāĻŦাāϰ āĻ–েāϞে, āĻ•āĻ–āύāĻ“ āĻŦা āĻ•োāύাে āϰােāĻ—েāϰ āĻŦা āĻŦংāĻļāĻ—āϤ āĻ…āϏ্āĻŦাāĻ­াāĻŦিāĻ•āϤাāϰ āĻ•াāϰāĻŖে āϤা āĻšāϤে āĻĒাāϰে।




 
ā§Ē. āϤিāύ-āϚাāϰāϟি āĻŦাāĻ•্āϝে āωāϤ্āϤāϰ āĻĻাāĻ“ :  ā§Šx⧍=ā§Ŧ



ā§Ē.ā§§ āĻ–াāϤাāϰ āĻĒৃāώ্āĻ াāϰ āĻŽāϤাে āĻĻুāϟো āĻ•াāĻ—āϜāĻ•ে āϏāĻŽাāύ্āϤāϰাāϞāĻ­াāĻŦে āϧāϰে āϤাāĻĻেāϰ āĻŽাāĻāĻ–াāύে āϜোāϰে āĻĢু āĻĻিāϞে āĻ•াāĻ—āϜ āĻĻুāϟো āĻĒāϰāϏ্āĻĒāϰেāϰ āĻ•াāĻ›ে āϚāϞে āφāϏে। āĻŦাāϰāϞৌāϞিāϰ āύীāϤি āĻĨেāĻ•ে āĻāϰ āĻŦ্āϝাāĻ–্āϝা āĻĻাāĻ“।



āωāϤ্āϤāϰঃ āĻŦাāϰāύৌāϞীāϰ āύীāϤি āĻ…āύুāϏাāϰে, 

  āĻ•োāύাে āĻ—āϤিāĻļীāϞ āĻ—্āϝাāϏ āĻŦা āϤāϰāϞ, āϝে āϏ্āĻĨাāύে āĻŦেāĻļি āĻŦেāĻ— āύিāϝ়ে āϚāϞে āϏেāχ āϏ্āĻĨাāύে āĻ“āχ āĻ—্āϝাāϏ āĻŦা āϤāϰāϞেāϰ āϚাāĻĒ āĻ•āĻŽ āĻšāϝ়। āϤাāχ , āĻĻুāχ āĻ•াāĻ—āϜেāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻĢুঁ-āĻāϰ āĻŦাāϝ়ু āϝāĻ–āύ āĻŦেāĻ—ে āĻĒ্āϰāĻŦাāĻšিāϤ āĻšāϚ্āĻ›ে āϤāĻ–āύ āĻ“āχ āϜাāϝ়āĻ—াāϝ় āĻŦাāϝ়ুāϰ āϚাāĻĒ āĻ•āĻŽে āϝাāϚ্āĻ›ে। āĻĢāϞে āĻ•াāĻ—āϜেāϰ āĻĻুāχ āĻĒাāĻļেāϰ āĻŦাāϝ়ু āĻ•াāĻ—āϜ āĻĻুāϟোāϰ āĻ“āĻĒāϰ āϞāĻŽ্āĻŦāĻ­াāĻŦে āϝে āϚাāĻĒ āĻĻেāϝ় āϤা āĻ­েāϤāϰে āĻĢুঁ-āĻāϰ āϜাāϝ়āĻ—াāϰ āĻŦাāϝ়ুāϰ āϚাāĻĒেāϰ āϚেāϝ়ে āĻŦেāĻļি। āϤাāχ āĻ•াāĻ—āϜ āĻĻুāϟো āϜোāĻĄ়া āϞেāĻ—ে āϝাāϝ়।



ā§Ē.⧍ āĻ…āϏ্āĻĨিāϰ āĻ•াāϜ āĻ•ী āĻ•ী?



āωāϤ্āϤāϰঃ i. āĻĒ্āϰাāĻŖিāĻĻেāĻšেāϰ āĻ…āĻŦāĻ•াāĻ াāĻŽাে āĻ—āĻ āύ āĻ•āϰে āĻāĻŦং āϚāϞāύে āϏāĻšাāϝ়āϤা āĻ•āϰে।

ii. āĻĻেāĻšāĻ•ে āĻĻৃāĻĸ়āϤা āĻĒ্āϰāĻĻাāύ āĻ•āϰে āĻāĻŦং āĻĻেāĻšেāϰ āϏāĻ•āϞ āĻ…āĻ™্āĻ—েāϰ āĻ­াāϰ āĻŦāĻšāύ āĻ•āϰে।

iii. āĻ…āϏ্āĻĨি āĻŦৃāĻšā§Ž āĻĒেāĻļি āϏংāϝােāĻ— āϏ্āĻĨাāĻĒāύ āĻ•āϰে।

iv. āĻ…āϏ্āĻĨিāĻŽāϜ্āϜা āĻĨেāĻ•ে āϞাāϞ āϰāĻ•্āϤāĻ•āĻŖিāĻ•া āĻ‰ā§ŽāĻĒāύ্āύ āĻšāϝ়।




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 Minhajuddin Mondal
📱+917797243129
Ideal English Institute
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